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Sameera Parvin moves to an unnamed Middle Eastern city to live with her father and her relatives. She thrives in her job as a radio jockey and at home she is the darling of the family. But her happy world starts to fall apart when revolution blooms in the country. As the people's agitation gathers strength, Sameera finds herself and her family embroiled in the politics of their adopted land. She is forced to choose between family and friends, loyalty and love, life and death.
In the city, he discovers the manuscript of a secret novel called a Spring without fragrance that tells the story of the Arab Spring and its failure. But the book is a dangerous one, and anyone who reads it disappears. A literary thriller, a tribute to the power of books in the face of state repression, and a story of indelible love - This follow up to benyamin's award-winning Jasmine days is a moving and urgent novel of our times.
Visual Cultures in India: Contesting the Sites of Sights delves into our visual experiences through diverse media, while unpacking how we encounter and interpret the visual, moving beyond simple “seeing” to deeper levels of meaning. This book explores our experience of visual media that reveals the complex interplay between sight, meaning, and contestation. The authors delve into the very “sites” where visuals are born, displayed, and interpreted. This nuanced approach sheds light on how visual media shapes our understanding of the world and ourselves. From the captivating world of film and photography to the enduring artistry of sculpture and dance, and even the visual tapestry of everyday life, this book weaves a compelling narrative of the complex relationship between media and visual culture in India. It is a timely and significant contribution in an age saturated with imagery. This book equips scholars, researchers, students, and media professionals with a framework to navigate the power of sight and gain a deeper understanding of visual cultures in India.
From the lyrical to the humorous, the lightly charming to the darkly disturbing, this collection gorgeously illustrates the desires, concerns and obsessions of young women from the subcontinent. This exciting new anthology showcases twenty-one of the best short stories by South Asian women under the age of forty, a new generation of writers emerging and boldly tackling new forms and styles. Spanning genres, including historical detective fiction, graphic short stories and experimental fiction, the stories are as varied as the women themselves, and celebrate the diversity and range of women’s literature in the twenty-first century. Contributors include Ruchika Chanana, Paromita Chakravarti, Roohi Choudhry, Tishani Doshi, Shahnaz Habib, Epsita Halder, Anjum Hasan, Meena Kandasamy, Mridula Koshy, Revati Laul, Madhulika Liddle, Anju Mary Paul, Swarnalatha Rangarajan, Adithi Rao, Diana Romany, Sumana Roy, Ashima Sood, Aishwarya Subramanyam, Nisha Susan, Narmada Thiranagama and Annie Zaidi.
Presents an anthology of the best literary essays published in the past year, selected from American periodicals.
Longlisted for the Andrew Carnegie Medals of Excellence This witty personal and cultural history of travel from the perspective of a Third World-raised woman of color, Airplane Mode, asks: what does it mean to be a joyous traveler when we live in the ruins of colonialism, capitalism and climate change? The conditions of travel have long been dictated by the color of passports and the color of skin. For Shahnaz Habib, travel and travel writing have always been complicated pleasures. Tracing the power dynamics that underlie tourism, this insightful debut parses who gets to travel, and who gets to write about the experience. All the while, Habib threads the historic but ever-evolving dynamics o...
The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world. "India's best English language magazine", The Guardian, London "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.
‘One of the best young writers of India’—Indian Express ‘One of the finest contemporary Malayalam writers’—Mint In a café by the seaside, two friends, Christy Andrapper and Jesintha, witness the murder of a young man. When Christy discovers that it was Senthil, his classmate from school, who had been shot, he tries to follow up on the investigation. But the police deny such a crime ever took place. The hospital to which Senthil’s body was delivered insists he died of a heart attack. Christy begins to suspect a conspiracy. Was he caught in the middle of a giant cover-up? How was his powerful family connected with it? As the mystery deepens, the story moves back and forth between the archipelago of Diego Garcia and peninsular India, delving into the very heart of early Christianity in India. After the success and acclaim of Goat Days, Benyamin crafts a clever and absorbing crime-novel-within-a-novel that is dazzlingly inventive and hugely enjoyable.
"Fluid and poetic as well as terrifying." —New York Times Book Review "Dazzling . . . a seamless mixture of magic realism, satire and futuristic fiction." —San Francisco Chronicle "Impressive . . . a flight of fancy through a dreamlike Brazil." —Village Voice "Surreal and misty, sweeping from one high-voltage scene to another." —LA Weekly "Amuses and frightens at the same time." —Newsday "Incisive and funny, this book yanks our chains and makes us see the absurdity that rules our world." —Booklist (starred review) "Expansive and ambitious . . . incredible and complicated." —Library Journal "This satiric morality play about the destruction of the Amazon rain forest unfolds with ...
Exhibiting Tolerance : Citizenship, Contingency, and Contemporary Art in the UAE Pavilion, 2009-2017 / Elizabeth Derderian -- The Gulf as an Unhomely Home : Reconfiguring Citizenship and Belonging in Diasporic Narratives on Second-Generation Migrants / Nadeen Dakkak -- Navigating the Cosmopolitan City : Emirati Women and Ambivalent Forms of Belonging in Dubai / Rana Al Mutawa -- Dubai as Heterotopia? The Aspirational Politics of Everyday Cosmopolitanism in Gulf Space / Jaafar Alloul -- A Strangeness One Can Occupy : Clothes and Their Codes in the Photographs of Gulf Migrants from Kerala / Mohamed Shafeeq Karinkurayil - Conclusion : The Gulf Space in Words : In Dialogue with Author Deepak Unnikrishnan / Lorenzo Casini and Deepak Unnikrishnan.