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„Reigen“ erscheint als elfter Band der historisch-kritischen Ausgabe von Arthur Schnitzlers Frühwerk. Als einer der bekanntesten Texte Schnitzlers, sicherlich aber als der umstrittenste, ist er ein zentraler Teil seines Œuvres. Bis dato fehlten eine detaillierte Aufbereitung der Textgenese, eine valide Transkription und ein nach wissenschaftlichen Kriterien erstellter Drucktext. Diese Lücken schließt die vorliegende Ausgabe. Das gesamte handschriftliche Material wird faksimiliert samt Transkription und in rekonstruierter genetischer Ordnung dargeboten. Der Drucktext basiert auf dem Privatdruck von 1900 und präsentiert in einem Variantenapparat die Druckgenese zu Schnitzlers Lebzeite...
"An original and brilliant thesis, exposing a long misunderstood figure. A great book." -- Bernard Avishai "Excellent... a highly revealing portrait that demolishes Herzl-the-icon." -- Michael Marrus "Other biographers... have illuminated aspects of [Herzl's] life, but none has been able to produce the kind of intellectual biography that we have here. Jacques Kornberg has done an admirable job of plumbing the depths of Herzl's mind to try to come to an understanding of just why he became a Zionist and why he was literally consumed with promoting Zionist goals." -- Cithara "With compassion and critical balance, placing his subject well within his Austrian milieu, Kornberg analyzes Herzl's rhetoric, tergiversations, and profound ambivalence over his politics and identity."Â -- Choice "... a masterful display of the sources... " -- American Historical Review "... stimulating, provocative and agreeably iconoclastic... powerful and compelling." -- German History A novel and provocative explanation of Theodor Herzl's founding of Zionism as a way of resolving his personal crisis over his Jewish identity.
Umfangreiche Darstellung der Diskriminierung der "Jüdischen" Literatur im Dritten Reich.
In her penetrating new study, Na’ama Rokem observes that prose writing—more than poetry, drama, or other genres—came to signify a historic rift that resulted in loss and disenchantment. In Prosaic Conditions, Rokem treats prose as a signifying practice—that is, a practice that creates meaning. During the nineteenth and twentieth centuries, prose emerges in competition with other existing practices, specifically, the practice of performance. Using Zionist literature as a test case, Rokem examines the ways in which Zionist authors put prose to use, both as a concept and as a literary mode. Writing prose enables these authors to grapple with historical, political, and spatial transformations and to understand the interrelatedness of all of these changes.
This book provides an account of the main developments in Greek, Etruscan and Roman architecture.
Dieser Titel aus dem De Gruyter-Verlagsarchiv ist digitalisiert worden, um ihn der wissenschaftlichen Forschung zugänglich zu machen. Da der Titel erstmals im Nationalsozialismus publiziert wurde, ist er in besonderem Maße in seinem historischen Kontext zu betrachten. Mehr erfahren Sie hier.
An investigation into the way in which modern Zionism was received by bourgeois west European Jews from 1897 to 1914, placing particular emphasis on the movement's approach towards those who were not seen as potential immigrants to Palestine.
An eminent authority on the Talmud offers here an analysis of classical rabbinic texts that illuminates the nature of Midrash, Mishnah, and Gemara, and highlights a fundamental characteristic of Jewish law. Midrash is firmly based on—draws its support from—Scripture. It thus projects the idea that law must be justified. The concept, David Weiss Halivni demonstrates, is at the heart of Jewish law and can be traced from the Bible (especially evident in Deuteronomy) through the classical commentaries of the Talmud. Only Mishnah is—like other ancient Near Eastern law—apodictic, recognizing no need for justification. But Midrash existed before Mishnah and its law served as grounding for t...