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In 2019, we are looking back in Flanders and in Brussels at the crucial role that Pieter Bruegel the Elder played in the art-historical landscape of the sixteenth century. The 450th anniversary of his death is a good moment at which to rediscover the work of Jan Brueghel the Elder. The Snyders&Rockox House is therefore taking a closer look at the drawings of Jan Brueghel I (1568-1625), son of Pieter Bruegel the Elder and brother of Pieter the Younger. Together with Peter Paul Rubens, Jan was one of the most successful Flemish artists of the first quarter of the seventeenth century. He was at home in every market - an inspired painter of landscapes, seascapes, still lifes, historical themes, ...
Dramatic changes during the Reformation era in Northern Europe, such as witchcraft and new global discoveries, are examined through visual culture, both prints and paintings.
In the 19th century Hungary witnessed unprecedented social, economic and cultural development. The country became an equal partner within the Dual Monarchy when the Austro-Hungarian Compromise of 1867 was concluded. Architecture and all forms of design flourished as never before. A distinctly Central European taste emerged, in which the artistic presence of the German-speaking lands was augmented by the influence of France and England. As this process unfolded, attempts were made to find a uniquely Hungarian form, based on motifs borrowed from peasant art as well as real (or fictitious) historical antecedents. "Motherland and Progress" – the motto of 19th-century Hungarian reformers – reflected the programme embraced by the country in its drive to define its identity and shape its future.
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