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Heritage and Digital Humanities
The symposium "Heritage and Digital Humanities," organized by the Labex ArtsH2H (Paris 8-Paris Ouest University), together with the French national archives and the Bibliotheque Nationale de France - on the occasion of the inauguration of the university's master's degree for "Cultural Mediation, Heritage and Digital Technologies" - was the first occasion to look for potential links between an emerging discipline in quest of its identity, digital humanities, and concepts of heritage, which have undergone renewal and been democratized through technical, social, and political changes. This book brings together contributions from professionals at such 'heritage' institutions, as well as from academics. (Series: Communication Studies / Kommunikationswissenschaft - Vol. 4) [Subject: Cultural Studies, Information Technology]
Der öffentliche Diskurs um die geologische Speicherung von Kohlenstoffdioxid (CCS)
Politische Entscheidungsfindung beruht auf einem konstruktiv geführten Diskurs. Dieser wird in besonderem Masse durch den Journalismus geprägt, denn er kommuniziert neuste wissenschaftliche Erkenntnisse und Technologien in die Öffentlichkeit. Die hier vorgestellte Studie betrachtet am Beispiel der Geologischen Speicherung von Kohlenstoffdioxid (CCS) potentielle Einflussfaktoren dieser Kommunikation, die sich möglicherweise auf regional differenzierte kulturelle, politische und wissenschaftliche Strukturen zurückführen lassen.
Le Musée participatif
Depuis quelques années, les musées multiplient les innovations et s’emparent de nouveaux outils techniques pour attirer de nouveaux publics. Les auteurs de cet ouvrage retracent l’histoire, les méthodes et les réalisations de la participation des publics dans les musées de société. Ils en évaluent la pertinence, en présentent les succès et les échecs dans des contextes marqués par les transformations sociétales, les tensions économiques et les mutations urbaines.
Orientalist Aesthetics
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of ...
Bibliography of Art and Architecture in the Islamic World (2 vols.)
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Theatrum Botanicum
This publication emerges from Uriel Orlow's Theatrum Botanicum (2015-18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge--exploring the variety of curative, spiritual, and economic powers of plants. The project addresses "botanical nationalism" and "flower diplomacy" during apartheid; plant migration; the ...
Symbolic Misery, Volume 1
In this important new book, the leading cultural theorist and philosopher Bernard Stiegler re-examines the relationship between politics and aesthetics in our contemporary hyperindustrial age. Stiegler argues that our epoch is characterized by the seizure of the symbolic by industrial technology, where aesthetics has become both theatre and weapon in an economic war. This has resulted in a ‘symbolic misery’ where conditioning substitutes for experience. In today’s control societies, aesthetic weapons play an essential role: audiovisual and digital technologies have become a means of controlling the conscious and unconscious rhythms of bodies and souls, of modulating the rhythms of cons...
Symbolic Misery, Volume 2
In this important new book, leading cultural theorist and philosopher Bernard Stiegler re-examines the relationship between politics and art in the contemporary world. Our hyper-industrial epoch represents what Stiegler terms a katastroph of the sensible. This katastroph is not an apocalypse or the end of everything, but the denouement of a drama; it is the final act in the process of psychic and collective individuation known as the West. Hyper-industrialization has brought about the loss of symbolic participation and the destruction of primordial narcissism, the very condition for individuation. It is in this context that artists have a unique role to play. When not subsumed in the capitalist economy, they are able to resist its synchronizing tendency, offering the possibility of reimagining the contemporary model of aesthetic participation. This highly original work - the second in Stieglers Symbolic Misery series - will be of particular interest to students in philosophy, media and cultural studies, contemporary art and sociology, and will consolidate Stieglers reputation as one of the most original cultural theorists of our time.
Gesture and Speech
Combines in one volume "Technics and Language", in which anthropologist Leroi-Gourhan looks at prehistoric technology in relation to the development of cognitive and liguistic faculties, and "Memory and Rhythms", which addresses instinct and intelligence from a sociological viewpoint.
After the Carolingians
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with th...
