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Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a rich body of work, including that of indigenous Algerian artists whose careers have never before been discussed in English.".
Painting catalogue - Photography catalogue - Oriental mirage - Post-Colonial taste - Non-Western markets for Orientalist art - From Empire's end - Australians as Orientalists, 1880-1920 - Artists' biographies - Photographers' biographies - Catalogue of an exhibition to be held at The Art Gallery of New South Wales, December, 1997 - Febrary, 1998 and the Auckland City Art Gallery, March - June, 1998.
Renoir made two journeys to Algeria, in 1881 & 1882. He was the only Impressionist to paint Orientalist themes, but this aspect of his work has been little studied. This book places Renoir in the unfamiliar context of the French Orientalist tradition.
Paul Klee experienced his 1914 trip to Tunisia as a major breakthrough for his art: ÒColor and I are one,Ó he famously wrote. ÒI am a painter.Ó Kandinsky and Klee in Tunisia sets the scene for KleeÕs breakthrough with a close study of the parallel voyage undertaken in 1904Ð5 by Wassily Kandinsky and Gabriele MŸnter, who would later become Klee's friends. This artist couple, then at an early stage in their celebrated careers, produced a rich body of painting and photography known only to specialists. Paul KleeÕs 1914 trip with August Macke and Louis Moilliet, in contrast, is a vaunted convergence of cubism and the exotic. Roger Benjamin refigures these two seminal voyages in terms of colonial culture and politics, the fabric of ancient Tunisian cities, visual ethnography, and the tourist photograph. The book looks closely at the cities of Tunis, Sousse, Hammamet, and Kairouan to flesh out a profound confrontation between European high modernism and the wealth of Islamic lifeways and architecture. Kandinsky and Klee in Tunisia offers a new understanding of how the European avant-garde was formed in dialogue with cultural difference.
Contains photographs of sculptures created by Henri Matisse.
First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
The Olympic Village has never been explored in literary fiction, until now...Herman arrives in a village where Iranians share the bus with Israelis; where Chinese gymnasts eat alongside their rivals from Taiwan; where German and British athletes jog through the streets together; and where Kenyans and Ethiopians waggle their medals in unison. He is on a search for the right sporting heroes to conceive and raise a child. Unable to consummate his own relationships, and having witnessed death in the Munich Olympic Village four decades earlier, he wishes to make new life from love between different peoples, nations, and ethnicities. Herman encounters Lily Wei Lee, a gymnast from Chinese Taipei. B...
Papers presented at a workshop called: Information Revolution in Asia-Pacific sponsored by Asian Mass Communication Research and Information Centre, Institute of Culture and Communication, East-West Center, Hubert H. Humphrey Institute of Public Affairs, and Institute of Southeast Asian Studies.
Using a political economy framework to analyze the current problems facing US post-secondary education, The New Limits of Education Policy tackles the questions surrounding the future of higher education. This study provides an explanation as to why improvement of teaching and learning is not a high priority for the stakeholders involved. Roger Benjamin explains why heightened recognition by the State of the importance of human capital in the knowledge economy will create the external conditions that will, in turn, create the need for an altered incentive system for these stakeholders. He goes on to make a case for additional positive incentives that would reward behavior that improves teach...
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.