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Doctrine and Poetry
Augustinian literary doctrine, religious in its orientation, held that the purpose of literature is the promotion of charity to the end that God may be enjoyed; that the true basis for eloquence is the truth in the meaning of words, not in the words themselves. This tightly defined frame allowed none of the individualistic fancies we now associate with poetry. Dr. Huppe has illustrated the continuing influence of this theory by references to Isidore of Seville; the obscure rhetorician, Vergil of Toulouse; Bede and his continental successors, Alcuin and Rabanus; and to John Scotus Erigena. The conscious and unconscious influence of this doctrine--and of Christian thought in general--was felt ...
Doctrine and Poetry
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The King's English
In the late ninth century, while England was fighting off Viking incursions, Alfred the Great devoted time and resources not only to military campaigns but also to a campaign of translation and education unprecedented in early medieval Europe. The King's English explores how Alfred's translation of Boethius's Consolation of Philosophy from Latin into Old English exposed Anglo-Saxon elites to classical literature, history, science, and Christian thought. More radically, the Boethius, as it became known, told its audiences how a leader should think and what he should be, providing models for leadership and wisdom that live on in England to this day. It also brought prestige to its kingly trans...
The Germanic Hero
In this study, the author looks at the role the warrior-hero plays within a set of predetermined political and social constraints. The hero if not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social stability. Even the warrior-hero's concern with his reputation is usually expressed negatively: that the wrong songs are not sung about him. The author discusses works in Old English, Old and Middle High German, Old Norse, Latin and Old French, deliberately going beyond what is normally thought of as "heroic poetry" to include the German so-called "minstrel epic" and a work by a writer who is normally classified as a late medieval chivalric poet, Konrad von Wurzburg, the comparison of which with "Beowulf" allows us to span half a millennium.
John Bunyan
First published in 1984, John Bunyan: Allegory and Imagination is informed not only by an enthusiasm for Bunyan but by an understanding of the literary and theological currents of the time. Criticism of John Bunyan has generally presented him as ‘an artist in spite of himself’, an unreflective writer who chanced on a vein of untutored genius. It is hard to believe that a work like the Pilgrim's Progress, which has gripped readers through the centuries, came to being entirely by chance. In this book Professor Batson draws on the Augustinian tradition, prevalent in the Middle Ages, that literature reveals truth by similitudes, and enhances spiritual understanding. Without suggesting that B...
The Role of Woman in Middle Ages
Compiled to complement a television course: Lets learn Japanese.
William Langland's Piers Plowman
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Campaspe and Sappho and Phao
This is the finest critical edition of the two earliest comedies written by John Lyly. The text of "Sappho and Phao" is based on a first edition that was never before recognized as such. The text of "Campaspe" has also been take from early editions. The substantial introductions and commentary notes give a new view of Lyly's learning, style, wit and theatrical genius, along with the presentation of the battle of the sexes that offered such vital models for the early Shakespeare. The editors have worked to ensure that the two plays in this joint edition will compliment and illuminate each other. The plays are set in their historical, literary and theatrical context. With modernized spelling, explanations of difficult passages and extensive footnotes, this book will be a welcome addition for anyone interested in English Renaissance drama.
A History of Old English Literature
This timely introduction to Old English literature focuses on the production and reception of Old English texts, and on their relation to Anglo-Saxon history and culture. Introduces Old English texts and considers their relation to Anglo-Saxon culture. Responds to renewed emphasis on historical and cultural contexts in the field of medieval studies. Treats virtually the entire range of textual types preserved in Old English. Considers the production, reception and uses of Old English texts. Integrates the Anglo-Latin backgrounds crucial to understanding Old English literature. Offers very extensive bibliographical guidance. Demonstrates that Anglo-Saxon studies is uniquely placed to contribute to current literary debates.
