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The changing look and feel of metropolitan France has been a notable preoccupation of French culture since the 1980s. This collection of essays explores concern with space across a range of media, from recent cinema, documentary filmmaking and photographic projects to television drama and contemporary fiction, and examines what it reveals about the fluctuating state of the nation in a post-colonial and post-industrial age.
This book examines citizen engagement in contemporary democratic politics and the development of new participatory forms. Based on empirical information gathered from citizens, activists and organizations, it examines the changing face of democratic participation. Advanced democracies are ‘plagued’ by the complex problem of basing political decisions on the active engagement of citizens and citizens’ organisations. Although the benefits of an active citizenry appear great, the reality is that most citizens positively embrace a relatively marginal role in organised politics. The conventional activist –citizens as active members engaged in voluntary associations and collective decision...
Since the early 1980s, art photographers from metropolitan France have been training their lenses on ordinary landscapes throughout the country they call home. The Topographic Imaginary is the first book to study this important and flourishing trend. It examines work by artists who meld documentary and creative modes to attune viewers to places that mainstream culture tends to tune out, but which, as Ari J. Blatt argues, are in fact more meaningful than they initially appear. From views of building sites in Paris, peri-urban edgelands, or a tangle of trees in a forest, to those that ponder the play of light and shadow on roadside fields in Normandy or the tacky colors painted on dated villag...
Facing Postmodernity explains French cultural theory by grounding it in the politics of the issues facing France today such as: * the breaking of the city * racism * the crisis of culture * new citizenship. It discusses some of the major responses to postmodernity by contemporary French thinkers, both the very well known -Lyotard, Levinas, Derrida - and those who will be less familiar to a non-French audience. In doing so, it addresses the questions central to the postmodern debate whatever country it takes place in; questions of history, of representation, identity and community.
Die zwölfte Ausgabe von Candide widmet sich dem Thema Visual Urbanism – ein vollkommen neues Forschungsfeld. Fotograf*innen und Wissenschaftler*innen experimentierten mit anthropologischen, kulturwissenschaftlichen, soziologischen und geografischen Methoden, für eine Reflexion über die meist unkritische Nutzung von Bildern des öffentlichen Raums. Candide 12 sucht Möglichkeiten, diese Ergebnisse in Architektur und Stadtplanung zu integriert. Dabei beantworten Autor*innen drängende Fragen, wie nach der Nutzbarmachung fotografischer Bilder für die Architektur und vice versa.
A fascinating historical account of the American Phage Group and how its new research framework became the foundation for molecular biology This book is the first critical and analytical study of the American Phage Group--a small group of scientists who gathered around Max Delbrück, Salvador Luria, and Alfred Hershey between 1940 and 1960--and how this novel research program became the foundation of the field of molecular biology. These three young, charismatic, and iconoclastic scientists were convinced of the importance of bacterial viruses (bacteriophages) to the study of the gene and of heredity in general. Based on substantial archival research, numerous participant interviews collected over the past thirty years, and an intimate knowledge of the relevant scientific literature in the field, William C. Summers has written a fascinating new history of the American Phage Group. Rather than a linear narrative of progress by past heroes, this book emphasizes the diversity and historical contingencies in the group's development.
In this fascinating exploration of citizenship and the politics of culture in contemporary France, Ingram examines two theatre troupes in Provence, charting the evolution of new models for society and citizenship in a rapidly changing France.
The first transnational history of photography’s accommodation in the art museum Photography was long regarded as a “middle-brow” art by the art institution. Yet, at the turn of the millennium, it became the hot, global art of our time. In this book—part institutional history, part account of shifting photographic theories and practices—Alexandra Moschovi tells the story of photography’s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography’s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site.
A celebrated theorist examines the conditions of work, employment, and unemployment in neoliberalism's flexible and precarious labor market. In Experimental Politics, Maurizio Lazzarato examines the conditions of work, employment, and unemployment in neoliberalism's flexible and precarious labor market. This is the first book of Lazzarato's in English that fully exemplifies the unique synthesis of sociology, activist research, and theoretical innovation that has generated his best-known concepts, such as “immaterial labor.” The book (published in France in 2009) is also groundbreaking in the way it brings Foucault, Deleuze, and Guattari to bear on the analysis of concrete political situa...