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The mass of available data about World War II has never been as large as it is now, yet it has become increasingly complicated to interpret it in a meaningful way. Packed with cleverly designed graphics, charts and diagrams, World War II: Infographics offers a new approach by telling the story of the conflict visually. Encompassing the conflict from its roots to its aftermath, more than 50 themes are treated in great detail, ranging from the rise of the Far Right in pre-war Europe and mass mobilization, to evolving military tactics and technology and the financial and human cost of the conflict. Throughout, the shifting balance of power between the Axis and the Allies and the global nature of the war and its devastation are made strikingly clear.
The universal appeal of Vincent's paintings and drawings, those that are little known as well as those familiar and much loved images, is enhanced by his own account of his life and thought contained in his letters. In quantity and quality of writing they are unique among those of great artists. Most were written to Theo - his brother, patron and anchor and to him we owe an enormous debt for encouraging, supporting and preserving the writings and works of a troubled genius who, in a tragically brief ten years, progressed to a climax of highly original and productive creativity. This selection of extracts from the letters and more than 230 paintings and drawings - many reproduced for the first time - has been designed for all lovers of Vincent's work. It will appeal equally to those who are familiar with it and his life and who no longer need biographical or analytical texts to complete their enjoyment of the pictures as well as to the many with less knowledge who feel no less intensely the power of his art..
Twenty-three missives — written from 1887 to 1889 — radiate their author's impulsiveness, intensity, and mysticism. The letters are complemented by reproductions of van Gogh's major paintings. 32 full-page black-and-white illustrations.
Studio of the South tells the fascinating story of Van Gogh's time in Arles and the Yellow House.
Gives insight into the daily interactions of therapists and patients - exchanges which are usually kept hidden from the public Suitable both for interested outsiders and for healthcare professionals wishing to think about their career area Has chapters on some common aspects of mental illness - hiding in talk, living in two worlds, alienation, life and death terrors - asking how these are handled in clinical practice
The long-awaited reissue of the autobiography of Peter Rice, one of the main structural engineers behind the Sydney Opera House, the Pompidou Centre, the Menil Collection and Lloyd's of London. 'I am an engineer. Often people will call me an 'architect engineer' as a compliment. It is meant to signify a quality of engineer who is more imaginative and design-orientated than a normal engineer... To call an engineer an 'architect engineer' because he comes up with unusual or original solutions is essentially to misunderstand the role of the engineer in society.' An Engineer Imagines is a rare look into the professional creativity and philosophy of Peter Rice, who was widely acclaimed as the gre...
To Live Like a Moor traces the many shifts in Christian perceptions of Islam-associated ways of life which took place across the centuries between early Reconquista efforts of the eleventh century and the final expulsions of Spain's converted yet poorly assimilated Morisco population in the seventeenth.
This collection of essays by Bernard Vincent covers most aspects of Thomas Paine's life, thought, and works. It highlights Paine's contribution to the American and French Revolutions, as well as the active role he played in the intellectual debates of the Age of Enlightenment, in particular through his heated arguments with Edmund Burke or the Abbé Raynal. More than two centuries later, those debates--on the 'universal' nature of human rights or the 'exceptionalism' of the American experience--seem today to be more relevant than ever. Not only have Common Sense, Rights of Man and The Age of Reason become classics of Anglo-American literature, but, from the moment they appeared, they ushered in a new type of writer, a new way of writing--and a new class of readers. How Paine stormed the "Bastille of Words," and in so doing served both the "republic" of letters and the cause of democracy, is the real subject of this book.
Cover -- Title Page -- Copyright -- Dedication -- Contents -- List of Maps -- Introduction -- 1. Spains -- 2. Spaniards -- 3. The Others Within -- 4. The Others Without -- 5. A New Spain, a New Spaniard -- 6. Race and Empire -- 7. From Empire to Nation -- Conclusion -- Notes -- Acknowledgments -- Index
During the 1920s a new generation of American sociologists tried to make their discipline more objective by adopting the methodology of the natural sciences. Robert Bannister provides the first comprehensive account of the emergence of this "objectivism"