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Waking the Hedgehog
"This analysis of the writings of Bernardo Atxaga is inspired by his image of the Basque language as a hedgehog that has "survived ... by withdrawing," but that has now emerged - preeminently in the work of this most international of Basque authors." "Following the trail of the hedgehog reveals the riches of contemporary Basque literature and Atxaga's central position in the Basque literary world. The book explores the enthusiastic global reception of Atxaga's fiction - in particular Obabakoak, which has been translated into twenty-six languages - but also his short stories, drama, poetry, and writings for children and young people. It focuses on the preeminence of the fantastic in Atxaga's work, the experimental style of his hybrid poetic texts, and the "heterotopias" of his realist novels."--BOOK JACKET.
Obabakoak
One of only a hundred or so books originally written in the Basque language during the last four centuries, Obabakoak is a shimmering, mercurial novel about life in Obaba, a remote, exotic, Basque village. Obaba is peopled with innocents and intellectuals, shepherds and schoolchildren, whilst everyone from a lovelorn schoolmistress to a cultured but self-hating dwarf wanders across the page. Obabakoak is a dazzling collage of stories, town gossip, diary excerpts and literary theory, all held together by Atxaga's distinctive and tenderly ironic voice.
Memoirs of a Basque Cow
One dark and stormy night, Mo hears her Inner Voice urging her to begin writing her memoirs. Having ignored her Inner Voice’s advice once before, with near-fatal consequences, she decides, this time, to do as she is told. Mo looks back on her life, beginning with the crucial moment when she met another cow, who introduced herself as La Vache qui Rit, and assured Mo that there was nothing more stupid in this world than a stupid cow. Mo spends her life trying to prove to her friend that, despite being a cow, she is not at all stupid. Besides, she has her Inner Voice and a great desire to live! Set in the aftermath of the Spanish Civil War, in which defeated Republican supporters are still being persecuted by victorious Nationalists. Memoirs of a Basque Cow paints a funny, touching portrait of friendship and freedom and the sometimes difficult process of finding oneself. Translated by the UK's finest translator of Spanish, Margaret Jull Costa.
The Two Brothers
None
Water over Stones
A story of intertwining lives that, like water, run between stones. From childhood friends in a bakery in the mining town of Ugarte, Basque Country, to a group of comrades and their pet magpie in a military base in the dying days of Franco's dictatorship, and eventually adults with the weight of their existence on their backs, the interconnected stories of the protagonists of Water over Stones span several decades of Spanish history, as Ugarte moves from the hazy summer of the 1972 Olympics, through the mining strikes of the turbulent Eighties, and into the modern day. Water over Stones is an extraordinary novel of friendship, nature, love and the immensity of death. Once again, Atxaga shows his mastery in creating places and characters that are impossible to forget. Translated from the Spanish by Thomas Bunstead and Margaret Jull-Costa
Nevada Days
Nevada Days is a fictionalised account of Atxaga's nine months' stay as writer-in-residence at the Centre for Basque Studies at the University of Nevada. He is accompanied by his wife, Ángela, who is also doing research there, and by their two daughters. During their first few weeks, the family encounter a strange mapache (racoon), which is always staring at them from the garden, a flight of helicopters immediately overhead, a black widow spider, a warning about bears, a party of prisoners in the desert, a lake that is somehow far too calm and too blue, and, not long into their stay, the kidnap and murder of a young girl living in the house right next door. Atxaga tells us about all these s...
The Lone Man
A Barcelona hotelier hides two Basque separatists and begins living off his nerves as the hotel is filled with police guarding a foreign soccer team. The World Cup is on. The hotelier, an ex-Basque revolutionary, cannot decide whether he is taking such risk out of nobility of spirit or boredom.
The Lone Woman
Irene is 37 years old and just out of prison after serving time for terrorist activities. Deciding to return home to Bilbao, she takes a bus journey across Spain, striking up conversations with the passengers who include two plainclothes policemen. As the journey progresses, so the tension builds.
The Accordionist's Son
David Imaz has spent many years living in exile on a ranch in California, far from his native Basque Country. Nearing 50 and in failing health, he decides to write the story of his youth in the village of Obaba, and the powerful, sweeping narrative that ensues takes the reader from 1936 to 1999.
Ethics and Aesthetics of Translation
Ethics and Aesthetics of Translation engages with translation, in both theory and practice, as part of an interrogation of ethical as well as political thought in the work of three bilingual European authors: Bernardo Atxaga, Milan Kundera and Jorge Semprún. In approaching the work of these authors, the book draws upon the approaches to translation offered by Benjamin, Derrida, Ricœur and Deleuze to highlight a broad set of ethical questions, focused upon the limitations of the monolingual and the democratic possibilities of linguistic plurality; upon our innate desire to translate difference into similarity; and upon the ways in which translation responds to the challenges of individual a...
