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While urban life can be characterized by endeavors to settle stable and safe environments, for many people, urban space is rarely stable or safe; it is uncertain, troubled, imbued with challenges and perpetually under pressure. As the concept of unsettled appears to define the contemporary urban experience, this multidisciplinary book investigates the conflicts and possibilities of settling and unsettling through open and speculative analysis. The analytical prism of unsettled renders urban space an indeterminate ground unfolding through routines, temporalities and contestations in constant tension between settling and unsettling. Such contrasting experiences are contingent on how urban soci...
V. 1. Cognitions -- v. 2. Critical theories
Both architect and urban planner, Kniess' practice extends beyond the classic one of designing buildings into the exploration of new areas of responsibility, work forms, and functional fields of architecture. This monograph presents a collection of extensively documented projects, including residential designs, research projects, and installations.
A gap yawns between two buildings constructed in the 1960s.Nothing unusual.A gap 2.56m wide and around 33m long . Hardly wide enough to park a couple of bicycles. In many buildings this corresponds to the space required for thermal insulation.
This book collects designs for 21 locations in the Stuttgart region, results of an international workshop.
Some time ago, Walter Benjamin and Asja Lacis used the term "porosity" with reference to Naples’ urban characteristics – spaces merging into each other and providing the backdrop for the unforeseen – improvisation as a way of life. Today, the term "porosity" in this context is increasingly used conceptually. Well-known authors from the worlds of architecture, town planning, and landscape design embark on a search for new concepts for a life-enhancing, user-friendly city – with reference to this enigmatic term. The term refers to the overlaying and interweaving of spaces and structures, to urban textures and their architectural properties and qualities – to cities with radically mixed urban functions.
The shift from modern to digital systems of design and production opens up a material work to a deeper relationship between author and perceiver. From the classical work to the modern object and from the modern industrial to 'computerised' procedures, the interplay between author and user has become closer, more direct and open. How does this increasing complicity affect architectural practice? How can architecture be conceived as a more fluid informational development? Publishing architectures is much more than displaying a recently finished product in which the architect is the unique author. To make architecture is a real undertaking of numerous authors based on the processing of information before, during and after the materialization of the building. The contemporary relationship between information and authorship in architectural practice, featuring works and texts by Manuel de Landa, Jorge Wagensberg, FOA Architects, Sadar & Vuga, njiric & njiric, Love, Lacaton & Vassal.
The German pavilion at the 9th Venice Architecture Biennale offers an overview of more than 35 contemporary architectural projects in Germany which have manifested in peripheral urban areas, suburban spaces and de-industrialized zones. The projects reveal the transformation and reactivation of banal everyday architecture--business parks, switching stations, water purification plants, and strictly coded and conventional housing types--to open up a new perception of the "deutschlandscape." Here, architectural norms are reworked and given a new aesthetic twist through ironic self-reflection. These built projects by a critical young generation of German architects reveal highly innovative use of...
Dynamic processes and conflicts are at the core of the urban condition. Against the background of continuous change in cities, concepts and assumptions about spatial transformations have to be constantly re-examined and revised. Norbert Kling explores the rich body of narrative knowledge in architecture and urbanism and confronts this knowledge with an empirically grounded situational analysis of a large housing estate. The outcome of this twofold research approach is the sensitising concept of the Redundant City. It describes a specific form of collectively negotiated urban change.
Groundscapes explores the 'comeback' of the idea of the ground onto the scene of contemporary architecture. With the decline of heroic modernism in the late 1960s a new generation of architects eager to discover this forbidden land initiated a reterritorialisation of architecture which continues today. As a consequence, we can understand built space and ground space no longer as opposites but as equal elements of the architectural body. Ilka Ruby is an architect and Andreas Ruby is an architectural critic and theorist. Since founding their office textbild in 2001 they have been committed to a cultural engineering of the discourse on contemporary architecture, writing texts, designing books, curating exhibitions, consulting architects and organising architectural symposia for a wide array of cultural and corporate clients. Their publications include Images. A Picture Book of Architecture (Prestel, 2004), The Challenge of Suburbia (Wiley-Academy, 2004) and Hans Scharoun: Haus Moeller (Walther Koenig, 2004). They have been teaching architecture at a variety of universities in Europe. Currently they are visiting critics at Cornell University. For more information see www.textbild.com