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"Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.
What was it like to visit one of the most magnificent courts of Europe? Based on a wealth of contemporary documents and surviving works of art, this lavish book explores the experiences of those who swarmed the palace and grounds of Versailles when it was the seat of the French monarchy. Engaging essays describe methods of transportation, the elaborate codes of dress and etiquette, precious diplomatic gifts, royal audiences, and tours of the palace and gardens. Also presented are the many types of visitors and guests who eagerly made their way to this center of power and culture, including day-trippers and Grand Tourists, European diplomats, overseas ambassadors, incognito travelers, and Americans. Through paintings and portraits, furniture, costumes and uniforms, arms and armor, guidebooks, and other works of art, Visitors to Versailles illuminates what travelers encountered at court and what impressions, gifts, and souvenirs they took home with them. In bringing to life their experiences, this sumptuously illustrated volume reminds us why Versailles has enchanted generations of visitors from the ancien régime to the present day.
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Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I...
In a time that celebrates beauty and money over so much else, this book is a lesson in elegance, grace, and style. It draws together for the first time in a single volume a sumptuous gallery of portraits dating from the early nineteenth century to World War II. Some are well-known, others unfamiliar, but all capture the spirit of their age, throwing the society that produced them into sharp and vivid relief. "The Society Portrait" offers entertaining anecdotes and intriguing insights into the personalities of both the artists and their patrons, providing a panorama of the settings in which the portraits were created, from French chateaux and English country houses to American mansions and Ru...
“The ideal guide and companion to visitors to Paris wishing to discover the hidden and fantastic art treasures of the historic city . . . brilliant.” —Books Monthly There’s no doubt that Paris is brimming with some of the world’s best art. But on a trip to the City of Light, it’s easy to be overwhelmed by the options, get caught up in the queues and miss the backstreet gems. Fear not—armed with this companion you’ll easily navigate your way through the rich art history to the vibrant present scene, and have a ball doing so. Along with listings of the unmissable museums and galleries (where you’ll appreciate the ancients through to the contemporaries), the guide includes mor...
Having grown up in Germany or France, they have crossed the border between the linguistic and cultural areas several times, both literally and metaphorically. As border crossers/frontaliers, they have also become cultural mediators/passeurs de culture. In their respective fields – art, literature, science – they have provided impulses and opened up new possibilities by building bridges. They have developed cultural syntheses that others have been able to build upon, whether in Germany, France or beyond. This volume brings together individual studies on David d'Angers, Louis Aragon, Ernst Robert Curtius, Émile Durkheim, Hans Hartung and Wols, Victor Hugo, Julius Meier-Graefe, Edgar Quinet, Germaine de Staël and Johann Georg Wille.
A groundbreaking insight into Gustave Courbet and his bold experiments in landscape painting Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cézanne. This series has long been neglected in favor of Courbet's paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting explores these astonishing paintings, staking a claim for their importance to Courbet's work and later developments in French modernism. Ranging from the grottoes of Courbet's native Franche-Comté to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. The Courbet he discovers is not the celebrated history painter of provincial life, but a committed landscapist whose view of nature aligns him with contemporary developments in geology, history, linguistics, and literature.
"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.