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Writing in Between
In Writing in Between , Beth Sharon Ash develops an important theoretical framework for interpreting Conrad's signal texts and his situation as an author. Using object-relations psychoanalysis, Ash reinserts into the literary conversation the idea of the psychologically-inflected subject. She integrates authorial subjectivity within historical context, thus lending agency and density to the 'relational subject' without neglecting the social forces which shape it. This book carefully positions Conrad as a writer caught 'in between,' as both a figure of alienation, critically disenchanted with British imperialism, and an orphan of genius desperately desiring a fit with his adopted culture. Through specific, often surprising readings of Conrad's novels and broad analysis of psychoanalytic and modernist criticism, Ash makes a significant theoretical contribution to theories of the subject.
Rich and Strange
Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, ne...
Engendering Romance
Describes how four 20th-century women writers have inherited and adapted a tradition of American romance. Analyzing fiction by Faulkner and others, this work goes on to explain how women have updated the genre to include alternatives to matriarchal (as well as patriarchal) constructions.
Mourning Becomes the Law
In Mourning Becomes the Law, Gillian Rose takes us beyond the impasse of post-modernism or 'despairing rationalism withour reason'. Arguing that the post-modern search for a 'new ethics' and ironic philosophy are incoherent, she breathes new life into the debates concerning power and domination, transcendence and eternity. Mourning Becomes the Law is the philosophical counterpart to Gillian Rose's highly acclaimed memoir Love's Work. She extends similar clarity and insight to discussions of architecture, cinema, painting and poetry, through which relations between the formation of the individual and the theory of justice are connected. At the heart of this reconnection lies a reflection on the significance of the Holocaust and Judaism. Mourning Becomes the Law reinvents the classical analogy of the soul, the city and the sacred. It returns philosophy, Nietzsche's 'bestowing virtue', to the pulse of our intellectual and political culture.
Family Matters in the British and American Novel
Family Matters in the British and American Novel examines the literature that challenges and alters widely held assumptions about the form of the family, familial authority patterns, and the function of courtship, marriage, and family life from the late-eighteenth century to the present day.
Henry James and the Suspense of Masculinity
Using insights from feminist studies, men's studies, and gay and queer studies, Leland Person examines Henry James's subversion of male identity and the challenges he poses to conventional constructs of heterosexual masculinity. Sexual and gender categories proliferated in the nineteenth and early twentieth centuries, and Person argues that James exploited the taxonomic confusion of the times to experiment with alternative sexual and gender identities. In contrast to scholars who have tried to give a single label to James's sexuality, Person argues that establishing James's gender and sexual identity is less important than examining the novelist's shaping of male characters and his richly me...
New Essays on 'The Portrait of a Lady'
A collection of essays on Henry James's most appealing and accessible novel.
Conrad and Empire
Stephen Ross challenges the orthodoxy of the last 30 years of Conrad criticism by arguing that to focus on issues of race & imperialism in Conrad's work is to miss the more important engagement with developing globalization undertaken there.
Haunting Modernity and the Gothic Presence in British Modernist Literature
This book explores the complex relationship between British modernism and the Gothic tradition over several centuries of modern literary and cultural history. Illuminating the blind spots of Gothic criticism and expanding the range of cultural material that falls under the banner of this tradition, Daniel Darvay focuses on how late nineteenth- and early twentieth-century British writers transform the artifice of Gothic ruins into building blocks for a distinctively modernist architecture of questions, concerns, images, and arguments. To make this argument, Darvay takes readers back to early exemplars of the genre thematically rooted in the English Reformation, tracing it through significant Victorian transformations to finally the modernist period. Through writers such as Oscar Wilde, Joseph Conrad, Virginia Woolf, E. M. Forster, and D. H. Lawrence, this book ultimately expands the boundaries of the Gothic genre and provides a fresh, new approach to better understanding the modernist movement.
