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Dance, Embodied Agency and Neuroplasticity in Aging
Dance is a multi-sensory and multi-modal form of movement expression, one that stimulates creative potential for innovative action and intersubjective communication. Over the last two decades, results from systematic reviews have shown a spectrum of dance styles to be powerful, non-pharmacological agents in advancing intergenerational health across quality-of-life domains. This Research Topic invites further investigation into the specificity of how the dancing body can access untapped cognitive resources that promote brain health in the elderly. While early findings from dance protocols have been shown to impact positively on structural- and functional neuroplasticity, the link between embodied agency and brain health remains under-researched and under-theorized. Researchers are called to design methodologies that test the eco-validity of dance, explicitly examining the interactive effects of sentient expressive movement with cognitive reserve. One challenge, among many, lies in explicating and differentiating the elements of the dancing body itself, particularly when outcomes correlate with other forms of movement-rich exercise for the elderly.
Psychological perspectives on expertise
Experts are persons who are very knowledgeable about or skillful in a particular area. The aim of this Research Topic is to advance knowledge in the understanding of the phenomenon of expertise by putting together different lines of research that directly or indirectly study expertise. Herbert Simon’s expertise studies initiated two lines of research. One is interested in elucidating the cognitive processes underlying expertise, and the other investigates how expertise develops. These lines of research started with studies comparing experts and novices in chess, and then they extended to numerous areas of expertise such as music, medical diagnosis, sports, arts and sciences. In the field o...
Modularity in Motor Control: From Muscle Synergies to Cognitive Action Representation
Mastering a rich repertoire of motor behaviors, as humans and other animals do, is a surprising and still poorly understood outcome of evolution, development, and learning. Many degrees-of-freedom, non-linear dynamics, and sensory delays provide formidable challenges for controlling even simple actions. Modularity as a functional element, both structural and computational, of a control architecture might be the key organizational principle that the central nervous system employs for achieving versatility and adaptability in motor control. Recent investigations of muscle synergies, motor primitives, compositionality, basic action concepts, and related work in machine learning have contributed...
Radical Embodied Cognitive Science of Human Behavior: Skill Acquisition, Expertise and Talent Development
This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.
Improvised Dance
This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice. Mobilising the languages and conceptual frameworks of theories of affect, embodied cognition, somatics, and dance, this book illustrates the work of specialist improvisers who occupy divergent positions within the complex field of improvised dance. It offers an alternative narrative of the history and current practice of Western improvised dance centred on the epistemology of its (in)corporeal knowledges, which are elusive yet vital to the refinement of expertise. Written for both a disciplinary-specific and interdisciplinary audience, this book will interest dance scholars, students, and practising artists.
