Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Fluting and Dancing
None
Dance Rhythms of the French Baroque
Dance Music of the French Baroque brings together information on rhythm from the interrelated fields of music, dance, poetry, rhetoric, and philosophy. Part I is devoted to the various factors involved in dance rhythms, including tempos, rhythmic feet, dance steps, declamation of lyrics, instrumental articulation, and performance of ornaments. Part II describes in alphabetic order the fifteen most frequently encountered dances of the period and identifies the most typical performance of each in relation to the factors discussed in Part I. With reference to numerous illustrations and musical examples, it clearly conveys the manner in which the allemandes, bourées, chaconnes, gigues, etc., may be executed. This practical book presents a myriad of information in a form that is easy to use yet as graceful as the dances it describes.
The Classical Woodwind Cadenza
Many modern performers of Classical woodwind music use cadenzas that have a harmonic vocabulary, length, range and expression more suitable for late Romantic than Classical music. The Romantic period directly followed the Classical one, and its performer-composers wrote cadenzas in the style of their own music for use in their performances of earlier music. Hummel's cadenzas for Mozart's piano concertos are prime examples. In the same spirit, the modern performer separated in time from both Classical and Romantic performance practices would compose cadenzas in a style familiar to him, such as avant-garde or rock! The particular goal of this workbook is to show modern woodwind players how to compose effective cadenzas in the Classical style for the Classical concertos they perform -- the concertos by Mozart and his contemporaries. - Preface.
The French Noel
"The book will be of great interest to instrumentalists and singers looking for new sources of chamber music, as well as to all those who wish to experience a musical form that played an important role in France for over two centuries." —French Review ". . . an excellent resource for anyone who wants to play, sing, and/or dance to these delightful little pieces. The authors approach this work in the careful, thoughtful, and scholarly manner which is a trademark of Betty Mather's style. . . I highly recommend this book to anyone intersted in any aspect of the noel and/or its performance." —National Association of College Wind and Percussion Instructors "Something unusual and lovely for Christmasit would interest anyone who is interested in Christmas music or who has to plan music and dance for worship. The carols themselves are beautifully printed and laid out for playing" —The Sign French noels unite sacred and profane texts, music, and dance as performed from the late Middle Ages through the Baroque. Mather and Gavin have transcribed these charming pieces with lyrics of the period so that they may be either sung or played.
Method for the One-Keyed Flute
This indispensable manual for present-day players of the one-keyed flute is the first complete method written in modern times. Janice Dockendorff Boland has compiled a manual that can serve as a self-guiding tutor or as a text for a student working with a teacher. Referencing important eighteenth-century sources while also incorporating modern experience, the book includes nearly 100 pages of music drawn from early treatises along with solo flute literature and instructional text and fingering charts. Boland also addresses topics ranging from the basics of choosing a flute and assembling it to more advanced concepts such as tone color and eighteenth-century articulation patterns.
The Early Flute
This practical guide for flautists provides a survey of the instrument - its development, its technique, its repertoire and its literature - between 1700 and 1900. Each issue is set in a musical context and technical and stylistic matters such as fingering, tone production, articulation, ornamentation, vibrato, expression and delivery are examined in depth, applying evidence from historical sources to the standard flute repertoire. A series of case studies offers detailed interpretations of music by Hotteterre, Handel, Bach, Gluck, Mozart and Boehm. As an internationally recognised soloist, orchestral player and teacher of modern and historical flutes, Rachel Brown brings a wealth of experience to amateurs and professionals alike, encouraging stylistic awareness through an understanding of the way in which composers and flautists approached instruments of the past. Copious music examples, illustrations, fingering charts and bibliographies make this a standard reference book for both 'period' and modern flautists.
Brands
Brands are now a dominant feature of everyday life. Drawing on rich empirical material, this book builds up a critical theory, arguing that brands have become an important tool for transforming everyday life into economic value.
