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Peace, conflict transformation, and dance are the core topics of this book. It deals with peace and conflict in a different perspective: peace here is understood as plural and incomplete - as a practice, a process of discovery, and an action which begins within every human being. Conflicts, following this idea, are creative possibilities to put this peace in practice. The book deals with how dance - through creativity, connectivity, and responsibility; as well as through the connections between education, communication, and international solidarity movements - can foster this practice of peace on individual and society levels, presenting dance as a tool to foster human potential for peace and conflict transformation. (Series: Masters of Peace - Vol. 3)
Time, Consciousness and Writing brings together a collection of critical reflections on Peter Malekin’s “model of the mind”, which he saw as a crucial yet often neglected aspect of critical theory in relation to theatre, literature and the arts. The volume begins with a selection of Peter Malekin’s own writings that lay out his critique of western culture, its overstated claims to universal competence and validity, and lays out an alternative view of consciousness that draws partly on Asian traditions and partly on underground traditions from the west. The essays that follow, commissioned for this volume, critically examine Malekin’s ideas, drawing out their implications in a variety of contexts including theatre, liturgical performance, poetry and literature. The book ends with an assessment of future prospects opened by this work.
This book presents the creative approach of Theatre of the Oppressed and its liberating potential within the rigid structures of prisons. Can inner freedom be experienced in oppressive outer circumstances? Is there a kind of freedom that cannot be curtailed by external oppressors? Can a physical space that allows trust and inspires creative expression open spaces of inner freedom? The book seeks to integrate a transrational world-view with political activism, combining the understandings of freedom from spiritual teachers Osho and Krishnamurti with those of two revolutionaries of pedagogy and theatre, Paulo Freire and Augusto Boal.
This handbook not only provides a very wide-ranging introduction and orientation to the world of the Theatre of the Oppressed, but Birgit Fritz also presents concrete and practical assistance for structuring basic workshops in process-oriented theatre work and in developing Forum Theatre plays. Birgit Fritz explores the working principles of emancipatory theatre work and somatic learning in depth. She gives numerous examples of the work and life of theatre groups and reveals fascinating possibilities of how theatre for social change can be successfully linked with social and political commitment, so that artistic process can bring about cross-generational collaboration, develop social democracy, and operate as an active force for peace.
"This collection explores the link between theatre and human flourishing. It interrogates both the social good of theatre and the personally restorative work of a range of live embodied performances. It brings together the disciplines of theatre (and performance studies) and psychology, especially positive psychology, to explore the social benefits of theatre: creating community, encouraging interconnection, serving as a mean to reveal and share both healing and trauma"--
Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.
This book considers elicitive conflict transformation and its interrelation with humanistic psychology. It discusses the transrational turn in the fields of diplomacy, military, development cooperation and political economy, presenting a new model of conflict analysis with practical implications for peace work.