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This book is a comprehensive collection of records related to the parish church of St Michaels in Bishops Stortford. The records offer a unique glimpse into the daily lives of the people who lived in the area during the time period covered by the book. This book is a must-read for anyone interested in the history of English churches and their role in English society. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A reference work on the tithe maps of England and Wales for historians, geographers and lawyers.
This fascinating selection of photographs traces some of the many ways in which Bishop's Stortford has changed and developed over the last century.
From a spectral horse and carriage heard galloping along Church Street to unexplained sightings of the market town's mysterious Grey Lady, this collection of hauntings from Bishop's Stortford is guaranteed to make your blood run cold. Featured here are reports of a shrieking woman in Water Lane, the ghost of a Victorian child at the Black Lion pub, an ominous black shape in the graveyard of St Michael's church, and even a phantom army from the days of Cromwell, among many others. So draw the curtains, dim the lights, choose your favourite chair and immerse yourself in a journey into the realms of the supernatural.
The first comprehensive survey of the religious, social and cultural life of late medieval and Reformation parishes covers town and country, northern as well as southern communities, and provides an indication of the European setting just before and just after the enormous social and religious changes of the 16th century. 15 illustrations.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.