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Post Office
Henry Chinaski is a low life loser with a hand-to-mouth existence. His menial Post Office day job supports a life of beer, one-night stands and racetracks. Lurid, uncompromising and hilarious, Post Office is a landmark in American literature.
The Black Sparrow
The Black Sparrow By: R. K. J. Sprock The Black Sparrow is a great adventure of hardships and tales of a young man coming into manhood in a land so much like our own but different in many ways. Read all about the mythical creatures of many origins and a power in the land that provides for all.
There's No Business
None
Pulp
Charles Bukowski's brilliant, fantastical pastiche of a detective story. Packed with wit, invention and Bukowski's trademark lowlife adventures, it is the final novel of one of the most enjoyable and influential cult writers of the last century. Nicky Belane, private detective and career alcoholic, is a troubled man. He is plagued not just by broads, booze, lack of cash and a raging ego, but also by the surreal jobs he's been hired to do. Not only has been hired to track down French classical author Celine - who's meant to be dead - but he's also supposed to find the elusive Red Sparrow - which may or may not be real.
Cuttings from the Tangle
A debut prose-poem collection from the cult singer-songwriter.
The Days Run Away Like Wild Horses
A collection of poems by contemporary American writer Charles Bukowski.
At Terror Street and Agony Way
This double CD features 130 minutes of the first-ever recordings of Charles Bukowski reading his own work. Culled from tapes made by Bukowski at his Los Angeles home in 1968 for biographer and rock critic Barry Miles, long before the author had begun regular public readings. Bukowski was so shy he insisted that he record alone. He reads both poetry and prose, gets thoroughly drunk during the recording, and bitches about his life, his landlord, and his neighbours.
Jazz & Twelve O'clock Tales
Poets who can write prose that equals their poetry are rare. With this collection of thirteen new short stories, Wanda Coleman, Los Angeles's unofficial poet laureate, proves an exception to the rule yet again. The characters in these stories lead lonely lives full of longing, of potential stifled by racism, poverty, and absurd accidents of fate. And yet, even though they are trapped by the present moment, their inner lives are lush, a mirror of the city of angels in which they live, a metropolis, always simmering, as Coleman writes in the final story, ever waiting to be borne on that balmy promised crescendo. Coleman applies a poet's economy of words to her fiction, setting a scene with lightning-quick strokes, letting a detail, a dialogue, or the brisk vernacular speak for itself. .
