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Cheever
John Cheever was one of the foremost chroniclers of post-war America, a peerless writer who on his death in 1982 left not only some of the best short stories of the twentieth century and a number of highly acclaimed novels, but also a private journal that runs to an astonishing four million words. Cheever’s was a soul in conflictm who hid his troubles - alcoholism, secret bisexuality - behind the screen of genial life in suburbia, but as John Updike came to remark: ‘Only he saw in its cocktail parties and swimming pools the shimmer of dissolving dreams . . .’ Blake Bailey, writing with unprecedented access to the journal and other sources, has brought characteristic eloquence and sensitivity to his interpretation of Cheever’s life and work. This is a luminous biography that reveals – behind the disguises with which he faced the world – a troubled but strangely lovable man, and a writer of timeless fiction. ‘Stunningly detailed . . . Even more eloquent and resourceful than Bailey’s celebrated biography of Richard Yates, A Tragic Honesty . . . Bailey’s interweaving of Cheever’s fiction with his experience is a tour de force’ New York Times Book Review
A Tragic Honesty
The first biography of acclaimed American novelist and story writer Richard Yates Celebrated in his prime, forgotten in his final years, only to be championed anew by our greatest contemporary authors, Richard Yates has always exposed readers to the unsettling hypocrisies of our modern age. Classic novels such as Revolutionary Road and The Easter Parade are incomparable chronicles of the quiet and not-so-quiet desperation of the American middle-class. Lonely housewives, addled businessmen, desperate career-girls and fearful boys and soldiers, Yates's America was a panorama of high living, self-doubt and self-deception. And in the tradition of other great realistic writers of his time (Fitzge...
Philip Roth
"In Philip Roth: A Counterlife, Ira Nadel exposes the multifaceted disposition of this major voice in American letters: Roth the realist, the ironist, the ventriloquist, the impersonator, the bard. In navigating the intricacies and dualities of the public and private Roth, Nadel shows the complexities, the contradictions, and the counterlives both lived and imagined. As literary sleuth, Nadel has enriched the myriad possibilities for understanding this exacting and defiant writer and his work." "Professor Nadel's study is always very readable and compelling but its discussion of material that has never been accessed before is particularly exciting." "Philip Roth: A Counterlife engages and il...
Farther and Wilder
Charles Jackson’s novel The Lost Weekend—the story of five disastrous days in the life of an alcoholic—was published in 1944 to triumphant success. Although he tried to escape its legacy, Jackson is often remembered only as the author of this thinly veiled autobiography. In Farther & Wilder, the award-winning biographer of Richard Yates and John Cheever goes deeper, exploring Jackson’s life—from growing up in the scandal-plagued village of Newark, New York, to a career in Hollywood and friendships with everyone from Judy Garland and Billy Wilder to Thomas Mann and Mary McCarthy. This is the fascinating biography of a writer whose life and work encapsulated what it meant to be an addict and a closeted homosexual in mid-century America, and who was far ahead of his time in bringing these forbidden subjects into the popular discourse.
Writing the Horror Movie
Tales of horror have always been with us, from Biblical times to the Gothic novel to successful modern day authors and screenwriters. Though the genre is often maligned, it is huge in popularity and its resilience is undeniable. Marc Blake and Sara Bailey offer a detailed analysis of the horror genre, including its subgenres, tropes and the specific requirements of the horror screenplay. Tracing the development of the horror film from its beginnings in German Expressionism, the authors engage in a readable style that will appeal to anyone with a genuine interest in the form and the mechanics of the genre. This book examines the success of Universal Studio s franchises of the 30s to the Serial Killer, the Slasher film, Asian Horror, the Supernatural, Horror Vérité and current developments in the field, including 3D and remakes. It also includes step-by-step writing exercises, annotated extracts from horror screenplays and interviews with seasoned writers/directors/ producers discussing budget restrictions, screenplay form and formulas and how screenplays work during shooting.
Zapatista
Blake’s second novel, Zapatista, is faithfully based on the facts of the 1994 Chiapas Indian uprising in southern Mexico. Whether looking for an adventure story or a deeper look into the real drama of a people’s revolution, you’ll find that in Zapatista. Peter, the protagonist, running from devastating life events and the associated guilt involved, finds himself in the heart of the Sierra Madre hoping to drink, write, and find adventure in that order. But Peter gets more adventure than bargained for through a series of whirlwind circumstances that hurl him into the middle of a life and death struggle for a revolutionary cause and the love of Lxil, an Indian woman, both catalysts that forever change Peter’s life.
The Ghost Writer
When talented young writer Nathan Zuckerman makes his pilgrimage to sit at the feet of his hero, the reclusive master of American Literature, E. I. Lonoff, he soon finds himself enmeshed in the great Jewish writer's domestic life, with all its complexity, artifice and drive for artistic truth. As Nathan sits in breathlessly awkward conversation with his idol, a glimpse of a dark-haired beauty through a closing doorway leaves him reeling. He soon learns that the entrancing vision is Amy Bellette, but her position in the Lonoff household - student? mistress? - remains tantalisingly unclear. Over a disturbed and confusing dinner, Nathan gleans snippets of Amy’s haunting Jewish background, and begins to draw his own fantastical conclusions...
Afternoon Men
A social comedy about "a company of giddyheads" and their wanderings in London's Bohemia.
Captivated
Secret aspiring comedian Autumn Reynolds is a girl gone...not wild exactly. More like lazy. Since her boyfriend abandoned her in New York City for a bunch of improv groupies she's had two priorities; sucking the nitrous out of whipped cream cans and making sex comics about her mysterious landlord. Blake hates people-and sunlight-with good reason. Imagine his surprise when he finds himself lusting after his upstairs tenant, a sunny, Australian people pleaser down on her luck. Turns out his ability to terrify with a single scowl comes with an advantage. Autumn seems to like it. A lot. As evidenced by the prisoner-captive comic Blake was never meant to see. As they embark on a three-date arrangement the rules are clear; filthy, ground breaking sex, no feelings or commitment required. When chemistry is this strong, though, attachment follows. As Blake and Autumn attempt to negotiate their New York romance, their prior histories and secret dreams come to the foreground. How long can these polar opposites remain Captivated, when all signs point to disaster?
