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The first biography of one of Georgian England’s most notorious figures, who thrived on scandal, fracas, and the cultivation of notoriety. Despite this he managed to make contributions to diverse fields, including botany, geology, literature, medicine and the professionalization of science, whose value has stood the test of time. Hill appears here in the company of other illuminati such as Samuel Johnson, Henry Fielding, Laurence Sterne, Oliver Goldsmith, Christopher Smart, Linnaeus, Haller and the Fellows of the Royal Society.
The architectural history of Troy House in Monmouthshire is positioned at the centre of this extensive new research volume, to support a consideration of how the surrounding land was refashioned over time. Investigating the estate’s main components, first individually and then by cross-referencing the findings, extends our current understanding of them as discreet and at the same time interrelating entities. Previously unrecorded historical features are discovered that belong to the house and its landscape, and comprehensive evidence is applied to challenge current understandings. The house and its pleasure gardens, the walled garden, the farm and the surrounding parkland are demonstrated together by this research to be a rare surviving example, in Wales especially, of a complete Tudor estate with Jacobean and Carolean aggrandisement. As such, Troy House occupies a significant place in history.
This volume provides the origins and meanings of the names of genera and species of extant vascular plants, with the genera arranged alphabetically from D to L.
During the middle years of Queen Elizabeth’s reign, the number of books published with titles that described themselves as flowers, gardens, or forests more than tripled. During those same years, English printers turned out scores of instructional manuals on gardening and husbandry, retailing useful knowledge to a growing class of literate landowners and pleasure gardeners. Both trends, Jessica Rosenberg shows, reflected a distinctive style of early modern plant-thinking, one that understood both plants and poems as composites of small pieces—slips or seeds to be recirculated by readers and planters. Botanical Poetics brings together studies of ecology, science, literary form, and the ma...
This volume provides the origins and meanings of the names of genera and species of extant vascular plants, with the genera arranged alphabetically from M to Q.
Blooming with rare archival images, the story of scientific botanical illustrations over nearly seven hundred years. In a world flooded with images designed to create memories, validate perceptions, and influence others, botanical illustration is about something much more focused: creating technically accurate depictions of plants. Reproductions of centuries-old botanical illustrations frequently adorn greeting cards, pottery, and advertising, to promote heritage or generate income, yet their art is scientific: intended to record, display, and transmit scientific data. The Beauty of the Flower tells the backstory of these images, showing us how scientific botanical illustrations are collaborations among artists, scientists, and publishers. It explores the evolution and interchanges of these illustrations since the mid-fifteenth century, how they have been used to communicate scientific ideas about plants, and how views of botanical imagery change. Featuring unique images rarely seen outside of specialist literature, this book reveals the fascinating stories behind these remarkable illustrations.
Sir John Vanbrugh is celebrated today as one of England's finest country house architects. His masterpieces include palatial private homes such as Castle Howard and Blenheim Palace, greatly admired by any enthusiast of English Baroque architecture. However, his work extended far beyond such projects, and included a remarkable variety of temples, belvederes, pyramids and many other features which he designed for the gardens and parks of the estates at which he worked. The originality of such work has shown that Vanbrugh played a crucial role in the development of the eighteenth-century English garden, and this unique and fascinating book uses the fruits of new research to assess just what contribution this great man made to our heritage.