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During its run in the mid-'90s, Minimum Wage racked up critical accolades and a devoted following, numbering among its fans Patton Oswalt, Marc Maron, Dana Gould, Scott Aukerman, Margaret Cho, Janeane Garofalo, David Cross, and more. Why? Because each page boasted sticky, uncomfortable truths drenched in bleakly familiar humor. It was "cringe comedy" before the phrase had been coined, presaging squirmy shows like Louie and Girls. Set in a New York so real you can practically smell it (so claimed Mike Mignola), Minimum Wage is the workaday saga of cartoonist Rob Hoffman and his firebrand girlfriend, Sylvia. He churns out strips for smut rags and off-brand MAD knockoffs and she languishes mana...
This volume tells the story of Rob and Sylvia, two twenty-somethings navigating the labyrinth of life, from the hazards of dating to holding down dreadful jobs. Beg the Question collects Bob Fingerman's fondly remembered Minimum Wage comic book series from the mid-1990s and includes 30 brand new pages. Introduction by Jerry Stahl. In the world according to Fingerman, Caligula himself is the emperor of New York.' - The Comics Journal'
14 international creators—all renowned and all unique—present 13 short stories in this love letter to the endless possibilities of sequential art in all its forms.
20th Anniversary Edition of BOB FINGERMAN's race and gender-swapping pseudo-sciencefiction social satire is back in print and better than ever. The tale of a down-on-his-luck African-American nuclear power plant custodian whose brain is transplanted into a militant white teenage girl's skull, WHITE LIKE SHE takes a cue from the '70s exploitation movie playbook and mixes message, humor, violence and Frankensteinian brain-juggling. Featuring never-before-seen bonus material and newly added gray tone, this is the definitive edition.
Video shop worker Darla Vogel is fed up. Fed up with her job, her flatmate, everything. But when one of the customers at Kwok's Video, a precocious home-schooled kid with dreams of chemically engineering authentic meat flavouring, offers her some of his meat-tinged sweets, Darla takes a plunge down the rabbit hole into a surreal world of throbbing, veinous buildings, compulsory public nudity, weird creatures and more. If William Burroughs, Lewis Carroll, H.P. Lovecraft and Harvey Kurtzman had a mutant lovechild, it might resemble Bob Fingerman's bold new confection.
After a zombie plague infects most of the world, the residents of a New York City apartment, who have escaped infection, fight among themselves until they spy an uninfected teenage girl outside, not getting attacked.
A man can go missing in New York City. A life can disappear, teeth can sharpen, skin gcan o pale, eyes can reject the sun. People can be human one day, a vampire the next. Set in the Gotham of prostitutes, junkies, and lonely hearts, "Bottomfeeder" tells the story of Philip, a smart-ass in a dead-end job, whose life takes an unusual turn after he tangles with a vampire. Now, spurred by a bloodlust stronger than his humanity, he haunts the abandoned streets alone, trying to maintain a semblance of normalcy while looking for prey. Like his entertaining, empathetic comics and graphic novels, "Bottomfeeder" displays Fingerman's unerring ear for dialogue and spot-on portrayal of New York's urban subculture -- drawn here in words rather than images -- that have won him legions of fans.
In a modest Manhattan walk-up, a group of survivors are on their last legs. As the end seems nigh, a teenage girl is spotted on the avenue, not only alive but repelling the undead like Moses parting the Red Sea. When she comes to their aid questions of who, what and why she’s immune to attack arise. Almost like a play, this single location-centric story features a strong cast of archetypal, yet fully fleshed-out, distinct, characters. The artist; the young widow; the elderly couple; the bros living a new normal, for one of whom it’s also finally living his truth; the country boy who’s turned his back on his faith only to have it return in earnest. And the mysterious stranger that arrives as their savior, only to confound them, even as she complies with their ever-increasing impositions. PARIAH sets the classic zombie tropes on their ear as the element of immunity to attack is introduced into the mix. Very contemporary, but also taking cues from the classic New York cinema of Martin Scorcese, Neil Simon, Woody Allen and other gritty cinema and literature, PARIAH thrusts the reader into a truly dire survivors’ tale, capturing the desperation and resolve of its disparate cast.
An anthology in which some of the most celebrated writers and artists of independent comics reinterpret DC's pantheon of superheroes.