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New from award-winning Michigan writer Bonnie Jo Campbell, American Salvage is rich with local color and peopled with rural characters who love and hate extravagantly. They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind. The harsh Michigan winter is the backdrop for many of the tales, which are at turns sad, brutal,...
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True creativity, the making of a thing which has not been in the world previously, is originality by definition. But while many claim to crave originality, they feel an obscure revulsion when confronted with it. The really new is uncomfortable and disturbing. Repetition of the familiar is preferred. The hailing of old ideas as original lowers the standard for invention and robs most creative people of the drive to do anything interesting, let alone seek out the universe of originality which is waiting, drumming its fingers, wondering why nobody calls. This is a book for all those who care not for the fashionable simulacra of the media creative, but for an understanding of the hard road to true originality. Part manual, part history of ideas, part manifesto - this a unique experimental journey around the outer limits of our culture. It debunks myths, contradicts familiar shiboleths and wages war on clich� and platitude as it has never been waged before. A rallying cry and disruptive book for those bored with merely thinking outside the box.
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A girl with a gun fights for survival in the American wilderness, in a tale that will enthral fans of The Hunger Games and True Grit.
A Richard and Judy Book Club selection. The End of Everything by Megan Abbott, author of Dare Me, is a taut and suspenseful novel of friendship, loss and the dark undercurrents of adolscence. A close-knit street, the clink of glass on glass, summer heat. Two girls on the brink of adolescence, throwing cartwheels on the grass. Two girls who tell each other everything. Until one shimmering afternoon, one of them disappears. Lizzie is left with her dread and her loss, and with a fear that won't let her be. Had Evie tried to give her a hint of what was coming, a clue that she failed to follow? Caught between her imaginary guilt, her sense of betrayal, her own powerful need, and the needs of the adults around her, Lizzie's voice is as unforgettable as her story is arresting. This is no ordinary tale of innocence lost . . .
In this "eloquent debut," a young Australian woman unable to find her footing in the world begins to break down when the emergencies she hears working as a 911 operator and the troubles within her own life gradually blur together, forcing her to grapple with how the past has shaped her present (Publishers Weekly). Drifting after her final year in college, a young writer begins working part-time as an emergency dispatch operator in Sydney. Over the course of an eight-hour shift, she is dropped into hundreds of crises, hearing only pieces of each. Callers report car accidents and violent spouses and homes caught up in flame. The work becomes monotonous: answer, transfer, repeat. And yet the st...
A cloth bag containing ten copies of the title.