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Bram Van Velde
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Bram van Velde
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Conversations with Samuel Beckett and Bram Van Velde
When Samuel Beckett and the Dutch painter Bram Van Velde met in Paris in the 1930s, both were living in abject poverty, and neither could have anticipated that—on the other side of World War II and the brutal occupation of France by the Nazis—they would each go on to be luminaries in their respective mediums: Beckett winning the Nobel Prize and becoming a bulwark of contemporary Western literature, and Van Velde holding exhibitions all over the world. Thirty years later, a younger author at the start of his career is introduced into the company of these two great pessimists—neither of whom make cooperative interview subjects, and each of whom represents, in his own way, a radical rejection of the common languages of his art.
Conversations with Samuel Beckett and Bram Van Velde
Gesprekken met de Nederlandse abstract-expressionistische beeldend kunstenaar (1895-1981) en de Ierse schrijver (1906-1989).
Bram van velde
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Uncertain Manifesto
An illustrated artist's memoir of the motivations, feelings, ideas, figures (including Samuel Beckett and Walter Benjamin), travels, and love affairs that have influenced his life. The writer and artist Frédéric Pajak was ten when he began to dream of “a book mixing words and pictures: snippets of adventure, random memories, maxims, ghosts, forgotten heroes, trees, the raging sea,” but it was not until he was in his forties that this dream took form as Uncertain Manifesto. The utterly original book that he produced is a memoir born of reading and a meditation on the lives and ideas, the motivations, feelings, and fates of some of Pajak’s heroes: Samuel Beckett and the artist Bram van...
Samuel Beckett and the Visual
This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.
Samuel Beckett
The National Gallery of Ireland was one of Samuel Beckett's favorite Dublin haunts. He whiled away many hours there and was particularly drawn to works by Perugino, Poussin, Rembrandt, and Rubeens. Encouraged by his friend Thomas MacGreevy, who later became director of the Gallery, Beckett developed a life-long passion for art. Essays trace Beckett's interest in art from its origins in the National Gallery, through his admiration for the work of Jack B. Yeats, to his art criticism and associations with contemporary artists including Bram van Velde, Alberto Giacometti, and Avigdor Arikha. The book concludes with the proceedings of the round table discussion "Samuel Beckett and the Visual Arts." Contributors include Nicholas Allen, John Banville, Riann Coulter, Dellas Henke, Charles Klabunde, James Knowlson, R(c)mi Labrusse, David Lloyd, Breon Mitchell, Lois Oppenheim, Peggy Phelan, and Susan Schreibman.
Beckett's Thing
Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.
Bram van Velde
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