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The Painted Word
Exploring Beckett's relationship with the visual arts and its influence on his creative expression
Atlantis Lost
Summary: Contents: Part 1; Seperate worlds, different visions. Chapter One: From the Atlantic to the Urals: De Gaulle's 'European' Europe and the United States as the ally of ultimate recourse. Chapter Two: The Atlantic 'Community' in American foreign policy: An ambiguous approach to the Cold War alliance. Part II - Dealing with De Gaulle. Chapter Three: Organizing the West: Eisenhower, Kennedy, and de Gaulle's 'Tripartite' memorandum proposal, 1958-1962. Chapter Four: Of Arms and Men: Kennedy, De Gaulle, and military-strategic reform, 1961-1962. Chapter Five: Whose kind of 'Europe'? Kennedy's tug of war with de Gaulle about the Common Market, 1961-1962. Chapter Six: The Clash: Kennedy and de Gaulle's Rejection of the Atlantic Partnership, 1962-1963. Chapter Seven: The demise of the last Atlantic project: LBJ and De Gaulle's attack on the multilateral force, 1963-1965. Chapter Eight: De Gaulle throws down the gauntlet: LBJ and the crisis in NATO, 1965-1967. Chapter Nine: Grand Designs Go Bankrupt. Conclusions.
Andree Putman
None
Encyclopedia of Interior Design
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Seducing the French
When Coca-Cola was introduced in France in the late 1940s, the country's most prestigious newspaper warned that Coke threatened France's cultural landscape. This is one of the examples cited in Richard Kuisel's engaging exploration of France's response to American influence after World War II. In analyzing early French resistance and then the gradual adaptation to all things American that evolved by the mid-1980s, he offers an intriguing study of national identity and the protection of cultural boundaries. The French have historically struggled against Americanization in order to safeguard "Frenchness." What would happen to the French way of life if gaining American prosperity brought vulgar...
The William S. Paley Collection
"William S. Paley, founder of CBS, Inc., and a towering figure in the development of entertainment and communications industries, was also a committed collector and patron of modern art. This book catalogues the highly personal collection of paintings, sculptures, prints and drawings, by such artists as [Paul] Cézanne, [Paul] Gauguin, [Henri] Matisse, [Pablo] Picasso, and others, that he bequeathed to the Museum of Modern Art. ..."--Back cover.
Wandering and Home
How are we to think of Beckett's fiction? Lyrical, inventive, uncompromising, beautifully precise-an immense achievement--is it really an art that proclaims the disintegration of language and of the imagination, as traditional readings conclude? Eyal Amiran's study demonstrates that Beckett's work does not embody the failure of synthetic vision. Beckett's fiction transposes a large intertextual logic from the Western metaphysics it is said to disown, and so takes its place in a literary and philosophical tradition that extends from Plato to Joyce and Yeats. At the same time, it develops as a serial narrative, from the early novels to the late short fictions, to unravel the story itself that its metaphysical tradition tells.
Paris Post War
Published in conjunction with an exhibit of the same name at the Tate Gallery (UK), June-September 1993. More than simply a presentation of the visual arts, the exhibition (and the book) show how art, literature, the cinema, music, philosophy, and photography sustained and enriched one another during a period of great creativity in Paris. Featured in essays and representative reproductions are the lives of artists Antonin Artaud, Jean Dubuffet, Alberto Giacometti, among others, as well as writers of the period, each presented with a photo and brief essay. Distributed by the U. of Washington Press. Annotation copyright by Book News, Inc., Portland, OR
