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Between the Falls
The only Irish actress to win an Oscar, for My Left Foot, Brenda Fricker has had a stellar career in movies, theatre and TV. She is best known for her roles in Home Alone 2, So I Married an Axe Murderer and the BBC series Casualty, amongst others. But her success was hard won. The daughter of a clever, detached father and a mother of fanatical Catholic convictions, Brenda was a curious child who lived in the shadow of her elder sister and longed for the approval of her parents. In a sequence of events that defies belief, Brenda went through moments that would have destroyed most lives. As a young girl, she was sent each week to the home of a family friend, an actor who promised to introduce ...
In the Company of Actors
In the Company of Actors is a wonderful ensemble of entertaining and illuminating discussions with sixteen of the most celebrated and prestigious actors in contemporary theatre, film and television. The impressive list of actors includes: Eileen Atkins, Alan Bates, Simon Callow, Judi Dench, Brenda Fricker, Nigel Hawthorne, Jane Lapotaire, Janet McTeer, Ian Richardson, Miranda Richardson, Stephen Rea, Fiona Shaw, Anthony Sher, Janet Suzman, David Suchet, and Penelope Wilton. Carole Zucker covers a wide range of topics including the actors' main childhood influences, their actor training, early acting experience, preparation for roles and sound advice for coping with actors' problems such as creative differences with other actors or directors.
Screening Ireland
Analysing historical and contemporary examples, this book offers a thematically-informed synthesis of influential research on Irish audio-visual culture.
Theatre Talk
Interviews with Irish theatre practitioners
Big Maggie
'Big Maggie 'J. B. Keane's most outspoken play' - The Irish Press ' Keane ... has brought the tyranny, the desperation and the frustration of the rural Irish matriarch roaring into the top twenties' 'A full-blooded, salty, earthy play with a great ring of truth and uproarious with comedy' - The Irish Times 'His depth of perception reveals a mature Keane' - Cork Examiner The story of Big Maggie Polpin and her attempts to keep her family together after the death of her husband is an enduring theatre favourite. The dialogue crackles with hilarious, caustic putdowns as the indomitable Maggie deals with her feckless family and unwanted suitors. Everyone wants a part of Big Maggie and her property, but she has other ideas. John B. Keane's wonderful creation of a rural Irish matriarch ranks with Juno, Mommo and Molly Bloom as one of the great female creations of twentieth-century Irish literature.
Seen That, Now What?
You've never used a video guide like this before. You loved Chariots of Fire and you want to see something like it. Where do you start? Look up Chariots of Fire in the index, and find it in Drama. There you'll see it listed under White Flannel Films: Welcome to the glory days of the British empire when the ruling class rode horses on large country estates, servants were in plentiful supply, and only an adulterous lover questioned the status quo. As in other costume dramas, the period details are celebrations of all that was brilliant and luxurious, with the camera sweeping over British, Indian, or African countryscapes and exquisite turn-of-the-century interiors. But all this lush upholstery...
Saints, Clergy and Other Religious Figures on Film and Television, 1895-2003
The portrayal of clergy, saints, missionaries, monks, and other spiritual leaders dates back to the very beginnings of motion pictures and television. Over the years, filmmakers have portrayed religious figures as heroes and villains, sinners and saints, and nearly everything in between. Through their works, filmmakers have influenced how society viewed these religious figures and, by extension, religion itself. This work details over 900 films and television series made from the 1890s through 2003 in which a religious figure plays a prominent or recurring role, or in which a character poses as a religious figure. For each motion picture, full filmographic data are provided--including title, studio, running time, year of release, director, producer, writer, and cast--along with a synopsis focusing on the role of the religious figure. Television series are covered in a separate section. For each show, the entry includes the title under which the show was commonly known; the original broadcast network; the years the show ran, running time, and cast; and a brief discussion of the religious character's role in the overall series. Extensively indexed.
Teachers in the Movies
The teaching profession has a long history in motion pictures. As early as the late 19th century, films have portrayed educators of young children--including teachers, tutors, day care workers, nannies, governesses, and other related occupations--in a variety of roles within the cinematic classroom. This work provides a broad index of more than 800 films (both U.S. and foreign) which feature educators as primary characters. Organized alphabetically by title, each entry contains a short plot summary and many also include cast and crew details. A detailed subject index is also included.
A Charmed Life, Amid Order and Disorder
The author, 83 and a widower, drives from a northern suburb of Philadelphia, Pa. to take his oldest daughter Jane to a lunch for Mothers Day 2010. Her two grown children live in other states. Jane, 61, is a recent grandmother. The author is a recent great-grandfather. A former teacher of high school English, the author retired in 1991 and for about 10 years traveled extensively throughout Europe but now tutors 8 adults, 6 Korean women and 2 African-Americans, for the Abington Library adult literacy program. Each of his 8 students gets an individual one-hour session one day a week. The tutors are not compensated for their gas or their time spent helping students. During the Mothers Day lunch,...
Irish Masculinity on Screen
Examining images of gender and violence, this book analyzes selected works of three influential artists of the Irish cinema--Ford, Sheridan and Greengrass--whose careers, taken together, span the period from 1939 to the present. These three explore fundamental questions about identity, patriarchy and violence within Irish and Irish-American contexts, and in the process upset conventional notions of masculine authority. Furthermore, Ford's later films interestingly depart from the egalitarian ideals that distinguish his pre-World War II films.
