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Rachel Weeping is a contemporary drama that explores the theme of motherhood, loss and forgiveness through the experience of three victims of a horrible accident. This job was money. It was the roof over her head. It was what kept her parents alive and what allowed her to remain in South Africa legally. She knew how hard it was to find stable work, especially as a domestic worker when there were ten other women ready and willing to do your job for half the wages. She had seen the trucks at the border post taking illegals back to Mozambique and had heard the stories of the weeks spent in detention centres if you were caught in South Africa without a work visa. She had no choice. Rachel Nyaga,...
An analytic and historical perspective of literary texts to understand the position of domestic workers in South Africa More than a million black South African women are domestic workers. Precariously situated between urban and rural areas, rich and poor, white and black, these women are at once intimately connected and at a distant remove from the families they serve. Ena Jansen shows that domestic worker relations in South Africa were shaped by the institution of slavery, establishing social hierarchies and patterns of behavior that persist today. To support her argument, Jansen examines the representation of domestic workers in a diverse range of texts in English and Afrikaans. Authors include André Brink, JM Coetzee, Imraan Coovadia, Nadine Gordimer, Elsa Joubert, Antjie Krog, Sindiwe Magona, Kopano Matlwa, Es'kia Mphahlele, Sisonke Msimang, Zukiswa Wanner and Zoë Wicomb. Like Family is an updated version of the award-winning Soos familie (2015) and the highly-acclaimed 2016 Dutch translation, Bijna familie.
This book takes readers on a series of stimulating intellectual journeys from the late nineteenth century to the contemporary era to explore notions of modernity in the production and reception of the African moving image and of African archival practices. Ideas are presented from multiple historical and contemporary perspectives, while inviting new voices to participate in discussions about the future of the African moving image. Reframing Africa? makes a plea for the recognition, preservation and repatriation of the African moving image archive, advancing ideas about how it speaks to contemporary Africans, possessed of the power to elucidate their lived experiences and to reorientate perceptions of the past, present and future. On the basis of this wide-ranging appreciation of the archive, the book charts a way forward for African-inflected film studies as well as other programmes in the humanities and social sciences. Reframing Africa? will appeal to scholars, academics and practitioners across the continent and beyond
From beneath the beach umbrella, all might seem idyllic - children playing, sunbathers relaxing, ice slowly melting in a cocktail glass. But look a little closer, and all is not as it seems ... In these classic crime stories of midsummer murder and madness, the mercury is climbing - and so is the body count. Prepare to spend this summer holiday with some shady characters (in sunny places) and immerse yourself in tales of mystery and depravity at home and abroad. Just remember - there might be nothing new under the sun ... but murder is the most ancient art of all.
It is 2003 – ten years since Spud Milton’s class of 93 matriculated and the boys went their separate ways. Despite their seemingly unbreakable bond, the Crazy Eight – Rambo, Mad Dog, Vern, Fatty, Garth Garlic, Boggo, Simon and Spud – have not kept in touch. Or at least, not as far as Spud knows. When he receives an invitation from the school to attend the ten-year reunion weekend, Spud is determined to avoid the event at all costs, but he hasn’t reckoned with the bombardment of intrusive messages and threatening phone calls from his former dorm mates. No one is going to bend his arm, not this time; he is immune to peer pressure and wise to Rambo’s devious manipulation techniques....
In His Call, My All: An African Drumbeat - A Missionary's Heartbeat Hennie Keyter looks back at his life in the service of the Lord, and forward to continuing His work for as long as God requires it of him. In the 1970s Hennie Keyter was an angry young man, fresh out of military service for the apartheid government of South Africa, unsure of his path in life and deeply uneasy about his faith. When God revealed to him that He had a purpose for him and a calling on his life, at first Hennie was not ready to hear it. When he finally accepted and understood his mission, a flame was lit in his heart that nothing could have extinguished. But nothing could have prepared him either for the extraordi...
The humor of Sherlock Holmes, Donald Westlake, Agatha Christie, Michael Innes, and Edmund Crispin are just a few of those discussed. A major point highlighted by this book is simply that wit, slapstick. laughter, and an anything-can-happen motif appear in a significant amount of fiction about crime.
Set in nineteenth-century rural Africa, Fiela's Child tells the gripping story of Fiela Komoetie and a white, three-year old child, Benjamin, whom she finds crying on her doorstep. For nine years Fiela raises Benjamin as one of her own children. But when census takers discover Benjamin, they send him to an illiterate white family of woodcutters who claim him as their son. What follows is Benjamin's search for his identity and the fundamental changes affecting the white and black families who claim him. "Everything a novel can be: convincing, thought-provoking, upsetting, unforgettable, and timeless."—Grace Ingoldby, New Statesman "Fiela's Child is a parade that broadens and humanizes our u...