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History.
Field Marshal Earl Haig's reputation continues to arouse as much interest and controversy as ever. This volume represents the collaboration of two leading historical societies, The British Commission for Military History and The Douglas Haig Fellowship. Leading historians have produced a comprehensive and fascinating study of the most significant and frequently debated aspects of Haig's momentous career.
The Fall of France in 1940 has been well chronicled but numerous misconceptions remain.This fascinating and thought-provoking collection of essays on wide-ranging issues covering the politics and fighting on land, sea and in the air will be greatly welcomed by academics and military history enthusiasts.Topics covered include the preparations of the BEF, the failure of allied counter attacks, the air war, the Royal Navys's role in the campaign, the influence of the Battle on British military doctrine and the repercussions from the British, French and German angles.
This book describes the author's role in pioneering a virtually new academic subject - military history/war studies.
This title challenges popular views of the First World War as catastrophic and futile and the Second World War as a well-conducted and victorious moral crusade.
This book tells the story of Walter Guinness and his action during world war I. He served at Gallipoli and on the western front.
This book is a military history of World War I, containing 11 papers by noted authorities on the Great War, which were presented to the British Commission for Military History during a commemorative seminar of the 80th anniversary of the Battle of the Somme.
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This is an innovative study of the development of historical writing about the most controversial aspects of the World War I, such as Haig's generalship, the role of T. E. Lawrence in the Arab Revolt, and the failure of the Dardanelles campaign
Britain's outstanding military achievement in the First World War has been eclipsed by literary myths. Why has the Army's role on the Western Front been so seriously misrepresented? This 2002 book shows how myths have become deeply rooted, particularly in the inter-war period, in the 1960s, and in the 1990s. The outstanding 'anti-war' influences have been 'war poets', subalterns' trench memoirs, the book and film of All Quiet on the Western Front, and the play Journey's End. For a new generation in the 1960s the play and film of Oh What a Lovely War had a dramatic effect, while more recently Blackadder has been dominant. Until more recently, historians had either reinforced the myths, or had failed to counter them. This book follows the intense controversy from 1918 to the present, and concludes that historians are at last permitting the First World War to be placed in proper perspective.