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Featuring renowned artist-historian Don Troiani's careful research, painstaking attention to detail, and dramatic style.
Historical and contemporary photographs accompany a narrative reflection on Lieutenant Colonel George Armstrong Custer's "Last Stand" at the Battle of Little Bighorn, which includes personal accounts of battle veterans.
"Of more than one thousand battles fought during the war," William C. Davis notes, "a few have risen to lasting fascination and prominence, some even regarded as 'turning points.' The battles included in this book are those that caused the greatest casualties, produced the greatest feats of heroism, and won or lost major campaigns. They decided the course of the war in the East and the West, set the standard for valor and sacrifice, defined who the American soldier was to be in this war and in the future, and established the American military tradition." This volume presents accounts of five Confederate victories (Fort Sumter, First Manassas, Fredericksburg, Chickamauga, and Franklin), five ...
Photographs, correspondence, newspaper clippings, and maps create a personal history of the Civil War, noting important battles and military leaders, the role of women and children, and the reality of war and slavery.
Photographs of Sam Abell paired with archival photographs of soldiers, camp life and the aftermath of battle, follow the Civil War from Fort Sumter to the Appomattox Court House.
Last year more than 30,000 people directly participated in reenactments of the classic battles of the Civil War, events that drew hundreds of thousands of spectators. Utterly authentic in terms of equipment and costumes (even down to the correct buttons), these events offered photographer Kris Kristoffersen the opportunity to capture on modern film the sweeping scenes of movement and battle that evaded contemporary Civil War photographers, whose primitive equipment required completely unmoving, and thus staged, exposures of many minutes. The resulting duotone photographs, 90 of which were selected for Nor Shall Your Glory Be Forgot, along with the accompanying text by Brian C. Pohanka (of A&E's Civil War Journal) vividly recreate our history, bringing new realism to moments of our greatest national tragedy.
"The 'Sunday Mercury's' correspondents wrote of contemporary events, scenes, and personalities. They did not write from hindsight, nor are they prone to exaggerate their personal roles. The practice of the old soldier over-emphasizing his actions and placing himself on center stage has resulted in wags referring to Henry Kyd Douglas' 'I Rode With Stonewall" as 'Stonewall Rides With Me.' Generals, such as Robert E. Lee and U.S. Grant, made it a practice to read enemy newspapers. It has been said that General Lee, because of the skill of the Confederate spy network in the Maryland counties fronting Chesapeake Bay and the Potomic River, true, insofar as it applies to the 'Sunday Mercury, ' the information reaching Lee from this source would be a spymaster's dream" from the foreward by Edwin C. Bearss.
'The Custer story began in controversy and in dispute; because of Custer's death in a blaze of glory that became the setting for propaganda which caught and held, and still holds, the imagination of the American people. What began in controversy and dispute has ended in Myth; a myth built, like other myths, upon actual data and events, magnified, distorted and disproportioned by fiction, invention, imagination and speculation.
Donaldson's fiercely candid observations reveal much about the political life of the Army of the Potomac, and his letters contribute unforgettable descriptions of actions at Antietam, Fredericksburg, Chancellorsville, and Gettysburg. Fiercely idealistic in the early days of the war, his letters and diary soon betray a growing disenchantment that leads to a startling climax. 28 photos, 6 maps.