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This is the fifth volume of a projected translation into English of all twelve of Jean Racine’s plays. Geoffrey Alan Argent’s translations faithfully convey all the urgency and keen psychological insight of Racine’s dramas, and the coiled strength of his verse, while breathing new vigor into the time-honored form of the “heroic” couplet. Complementing this translation are the Discussion and the Notes and Commentary—particularly detailed and extensive for this volume, Britannicus being by far Racine’s most historically informed play. Also noteworthy is Argent’s reinstatement of an eighty-two-line scene, originally intended to open Act III, that has never before appeared in an ...
HOMO BRITANNICUS tells the epic history of life in Britain, from man’s very first footsteps to the present day. Drawing on all the latest evidence and techniques of investigation, Chris Stringer describes times when Britain was so tropical that man lived alongside hippos and sabre tooth tiger, times so cold we shared this land with reindeer and mammoth, and times colder still when we were forced to flee altogether. This is the first time we have known the full extent of this history: the Ancient Human Occupation of Britain project, led by Chris, has made discoveries that have stunned the world, pushing back the earliest date of arrival to 700,000 years ago. Our ancestors have been fighting a dramatic battle for survival here ever since.
Excerpt from Britannicus: Tragedie Racine, it will be seen, did not consider it his duty to adhere scrupulously to all the details given by historians, or to follow closely the chronological order. In his two prefaces he has pointed out some of the alterations he had taken the liberty of making, and endeavoured to justify them. Let us then enumerate these alterations, together with one or two, more important in their bearing on the drama, which he did not mention, examine the motives which induced him thus to modify the data of history, and finally see whether he was justified in so modifying them. The death of Britannicus took place in 55, in the calends of January, when Nero had been on th...
Jean Racine (1639-99) remains to this day the greatest of French poetic dramatists. Racine's tragedies portray characters wrestling with ambition, treachery, religion, and love.
In two of his most famous plays, Britannicus and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. For Racine, Rome is more than a location, it is a set of values and traditions, a space of opportunity and oppression. The contributors to this volume examine Racine’s stagecraft, his exploration of time and space, sound and silence, and the ways in which he develops his own distinctive understanding of tragedy. The reception of his plays by contemporaries and subsequent generations also features. In Racine’s hands, Rome becomes a state of mind, haunted by both past and future. This book's dedicatee, Richard Parish, passed away on January 1st 2022, just before publication. We would like to dedicate this collection of essays to his memory.