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British Comics
In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper—known as “A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls”—British Comics goes on to describe the heyday of comics in the 1950s and ’60s, when titles such as School Friend and Eagle sold a million copies a week. Chapman also analyzes the major genres, including schoolgirl fantasies and sports and war stories for boys; the developmen...
Billy's Boots 1
Fantasy meets football in the magical story of a boy and his enchanted boots! Young Billy Dane was one of the most passionate football fans at Bingley Road Junior school...unfortunately he was also one of the worst players! Then, one afternoon, Billy's grandmother got him to clean out her attic and Billy finds a pair of old fashioned football boots that belonged to 'Dead-Shot' Keen - a famous centre forward who once played for England.
Great British Comics
Read by millions, British comics are world-famous. And for more than a quarter of a century, Britain’s writers and artists have had a significant influence on the American comic-book scene, revitalizing standards from Batman to X-Men and originating uniquely British characters of their own, such as Modesty Blaise and the League of Extraordinary Gentlemen. Now, in a feast of cartoon graphics, Great British Comics celebrates the UK’s comic heroes, offering an invaluable resource for enthusiasts and collectors. Divided into themed chapters, and ranging from the 1920s to the 1990s, it charts the careers of all the familiar favorites. Featuring lively, informative text, Great British Comics is copiously illustrated with comic book covers, pages, and annuals, as well as toys, collectibles, and memorabilia. Paul Gravett, who has curated numerous exhibitions of comic art, is also the author of Manga: Sixty Years of Japanese Comics and Graphic Novels: Everything You Need to Know.
John Cabot
John Cabot, an Italian navigator who sailed for Britain, was the first European to set foot on North America since the Vikings. Readers will follow Cabot on his explorations to Newfoundland and back, until he puzzlingly doesnt return from his third voyage. Fun and vibrant graphic representations of this famous explorer will spark the interest of all readers.
Daring Women of D-Day
An action-packed graphic novel about agents who helped the Allies prepare for D-Day and push the Germans out of France during World War II. In 1942, World War II was growing more and more intense. Germany and its allies had occupied a great deal of Europe--including part of France. With the enemy just a few miles from England, Prime Minister Winston Churchill was determined to help free France. To make his plan work, he needed people who could secretly help prepare the French for a big fight. He found 39 daring women who were up to the task--including Andrée Borrel and Lise de Baissac. These women would help support the French Resistance and sabotage German operations in preparation for the...
Kid Comic Strips
This book looks at the humor that artists and editors believed would have appeal in four different countries. Ian Gordon explains how similar humor played out in comic strips across different cultures and humor styles. By examining Skippy and Ginger Meggs, the book shows a good deal of similarities between American and Australian humor while establishing some distinct differences. In examining the French translation of Perry Winkle, the book explores questions of language and culture. By shifting focus to a later period and looking at the American and British comics entitled Dennis the Menace, two very different comics bearing the same name, Kid Comic Strips details both differences in culture and traditions and the importance of the type of reader imagined by the artist.
Comic Book Hero
In the 1960s, 1970s, and 1980s, children's comics were a massive part of a young person's life. Comic Book Hero tells the inside story of how Barrie Tomlinson built up a successful boys' publishing group at IPC Magazines--now the stuff of legend among nostalgic and modern-day fans of the UK comic scene and its surrounding culture. Barrie started on Tiger comic as a subeditor, went on to be editor, and eventually became head of the Boys' Sport and Adventure Department, in which capacity he launched Roy of the Rovers comic, the new Eagle, Scream, Speed, Wildcat, Teenage Mutant Hero Turtles, and Toxic Crusaders. The book tells about the Geoff Boycott, Big Daddy, and Suzie Dando annuals he produced, and the 22 years spent writing the Scorer picture-strip for the Daily Mirror. Barrie also reveals dealings with the top stars as they joined Tiger, to make the title one of the most famous comics in Britain.
Marney the Fox
Marney the Fox is a Lassie-style tale of a lone fox up against wicked humans via Watership Down and Fantastic Mr Fox. Written by the late M Scott Goodall and beautifully illustrated by John Stokes, Marney the Fox is a Tarka the Otter-style tale of a lone fox, channelling Lassie and The Fantastic Mr Fox along the way. Marney is a young fox trying to survive against the odds, from dodging blood-thirsty humans to encountering other wild animals. This is a beautifully illustrated story capturing the British countryside and wildlife in astonishing detail showcases Stokes' finest work, a masterpiece that has lain un-reprinted for decades and makes an ideal children's book and early Christmas present. * This extraordinarily beautiful book is a lost classic from children's literature and makes a perfect Christmas gift. * There is no other children's graphic novel like it, for its breathtaking rendition of the English countryside and the moving story that owes nods to Tarka the Otter in its sensitive portrayal of animals. * Never before collected. * From the new Treasury of British Comics list from Rebellion, highlighting classic British comics.
The British Superhero
Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in ...
