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The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
NATIONAL BESTSELLER • WINNER OF THE GOVERNOR GENERAL’S LITERARY AWARD FOR NON-FICTION • A Globe and Mail Best Book of the Year • National Jewish Book Award Finalist • For readers of Crying in H Mart and Wintering, an unforgettable memoir about a family secret revealed by a DNA test, the lessons learned in its aftermath, and the indelible power of love. Three months after Kyo Maclear’s father dies in December 2018, she gets the results of a DNA test showing that she and the father who raised her are not biologically related. Suddenly Maclear becomes a detective in her own life, unravelling a family mystery piece by piece, and assembling the story of her biological father. Along th...
The central aim of "The West and Beyond" is to evaluate and appraise the state of Western Canadian history, to acknowledge and assess the contributions of historians of the past and present, to showcase the research interests of a new generation of scholars, to chart new directions for the future, and stimulate further interrogations of our past.-- The book is broken into five sections and contains articles from both established and new scholars that broadly reflect findings of the conference "The West and Beyond:-- Historians Past, Present and Future" held in Edmonton, Alberta in the summer of 2008.-- The editors hope the collection will encourage dialogue among generations of historians of the West and among practitioners of diverse approaches to the past.-- The collection also reflects a broad range of disciplinary and professional interests suggesting a number of different ways to understand the West.
This book is an absolute first in its comprehensive treatment of this subject. J.R. Miller has written a new chapter in the history of relations between indigenous and immigrant peoples in Canada.
A celebrated journalist finds himself reporting on the savage war in Vietnam while in combat with his own network. In September 1969, Michael Maclear, the first Western television journalist allowed inside North Vietnam, was in Hanoi for major Canadian and U.S. networks. He recounted in gripping detail how an entire population had been trained for generations in guerrilla combat. His reporting that the North was motivated more by nationalism than Marxism was highly controversial. Later Maclear was taken blindfolded to a Hanoi prison for captive U.S. pilots, some of whom condemned the war. Nixon’s White House said the Canadian reporter was duped, and Maclear’s own network questioned him in those terms on air. Later, the network found reason to dismiss Maclear as a foreign correspondent. Recently, Maclear returned to Vietnam and interviewed surviving key figures from the war. In this book he includes startling new information on guerrilla tactics and delivers an impassioned argument for the necessity of journalistic impartiality and integrity.
The Ethnologisches Museum in Berlin holds more than 6,500 historical black-and-white photographs from Latin America. These images were produced between 1868 and 1936 and mainly depict ethnological and archaeological motifs, although some portray views of urban or natural landscapes. The contributions to this volume focus on particular series from this extensive archive. In doing so, they illustrate the enormous potential for research inherent within such “repositories of memory”, represent a diverse set of approaches and provide varied interpretations of historical photographs. The contributions focus on the contexts in which these images were produced and provide interpretations of the intentions behind some of the photographs. Moreover, they analyse the acquisition of these photographs and the manner in which they have been preserved and disseminated. Additionally, the contributions highlight the manners in which the images have been used and the impact of some of the formats in which the photographs were published. This richly illustrated volume is complemented by the digital reproductions available online at http://www.smb-digital.de/.
Pilgrimage opens in the deep winter of 1891 on the Métis settlement of Lac St. Anne. Known as Manito Sakahigan in Cree, "Spirit Lake" has been renamed for the patron saint of childbirth. It is here that people journey in search of tradition, redemption, and miracles. On this harsh and beautiful land, four interconnected people try to make a life in the colonial Northwest: Mahkesîs Cardinal, a young Métis girl pregnant by the Hudson Bay Company manager; Moira Murphy, an Irish Catholic house girl working for the Barretts; Georgina Barrett, the Anglo-Irish wife of the hbc manager who wishes for a child; and Gabriel Cardinal, Mahkesîs' brother, who works on the Athabasca river and falls in love with Moira. Intertwined by family, desire, secrets, and violence, the characters live one tumultuous year on the Lac St. Anne settlement--a year that ends with a woman's body abandoned in a well. Set in a brilliant northern landscape, Pilgrimage is a moving debut novel about journeys, and women and men trying to survive the violent intimacy of a small place where two cultures intersect.
To many, the North is a familiar but inaccessible place. Yet images of the region are within easy reach, in magazine racks, on our coffee tables, and on television, computer, and movie screens. In Northern Exposures, Peter Geller uncovers the history behind these popular conceptions of the Canadian North.
This collection reveals the situation in rural Canada in a new light; but more than that, it shows us that the ability to renew our rural communities remains within our grasp if we have the will to do so."--BOOK JACKET.
Winner of the 2004 International Gallery of Superb Printing Bronze Award for Superb Craftsmanship in Production, and the Ontario Printing and Imaging Association Excellence in Print Awards, commended for the 2004 Honourable Mention for Superb Craftsmanship in Production From rumble seats and running broads to power tops and tailfins, 60 Years Behind the Wheel captures the thrill of motoring in Canada from the dawn of the twentieth century to 1960. There are intriguing stories of cars with no steering wheels, and fascinating photographs of historic vehicles from across the country. From the Studebaker to the Lincoln-Zephyr, from the showroom to the scrapyard, here are over 150 vehicles owned and driven by Canadians.