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Euan Uglow
“I am trying to find out why a subject does look so marvelous, and trying to make that sensation manifest on a flat surface.”—Euan Uglow
Eileen Hogan
Focusing on Eileen Hogan's depictions of enclosed green spaces and portraiture, this sumptuously illustrated catalogue offers an intimate glimpse into the artist's work and practice.
Duchess of Cork Street
The autobiography of Lillian Browse, this volume begins with her humble origins in South Africa and reveals how she managed by charm, determination and good judgment to establish herself as a doyenne of the London art world between the 1950s and 1970s.
1971
Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls t...
Basic and Clinical Anatomy of the Spine, Spinal Cord, and ANS - E-Book
This one-of-a-kind text describes the specific anatomy and neuromusculoskeletal relationships of the human spine, with special emphasis on structures affected by manual spinal techniques. A comprehensive review of the literature explores current research of spinal anatomy and neuroanatomy, bringing practical applications to basic science. A full chapter on surface anatomy includes tables for identifying vertebral levels of deeper anatomic structures, designed to assist with physical diagnosis and treatment of pathologies of the spine, as well as evaluation of MRI and CT scans. High-quality, full-color illustrations show fine anatomic detail. Red lines in the margins draw attention to items o...
The Art of Elizabeth Blackadder
This is one in a series from the Royal Academy which reveals well-known artists at work. The artists offer insights into their approaches to painting, their opinions, inspirations, philosophies and views on art, with valuable tips for both amateurs and other professionals.
William Coldstream
William Coldstream became one of the significant twentieth-century cultural icons, who influenced generations of art students. Numbered amongst his cycle of distinguished luminaries were W.H. Auden, Stephen Spender, Christopher Isherwood, Louis MacNeice, Benjamin Britten, Sir Kenneth Clark, Adrian Stokes, A J Ayer and Anthony Blunt; as well as many artists and establishment figures whose portraits he painted, including one Prime Minister. However, celebrated Coldstream was to become he revealed a somewhat tormented and anxious mind racked with self-doubt. Was he ever going to be appreciated as an artist, will people understand his painting or will he ever gain control of his personal life? Coldstream liked to compartmentalize his life, and almost certainly none of his artistic friends knew all the facets of his extraordinarily complex, secretive and eccentric life; less so about his painting. Yet, this was in contrast to his outwardly lively, witty and charming public personality.
Silke Otto-Knapp
Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the medium's possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapp's exhibition at the Renaissance Society, In the waiting room, presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops. Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig Øvstebø and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies.
Gwen John and Augustus John
Augustus John (1878-1961) was a hugely charismatic and colourful figure, his technical skill as a draughtsman matched by his bohemian manners and dashing appearance. In the pre-war years he epitomised the rebellious artist, travelling the country in a caravan and learning Romany as a result of the time he spent with gypsies. An official War artist during the first war, he subsequently took up a career as a portraitist, painting the leading literary figures of his day as well as inheriting Sargent's mantle as a painter of Society. Gwen John (1876-1939) studied at the Slade along with Augustus, leaving in the same year (1898). She then studied in Paris under Whistler, adopting his remarkable control of colour. In 1904 she settled permanently in France, where she earned a living as a model for artists including Rodin, who became her lover. The opposite of her brother both in personality and artistically, she favoured introspective subjects, and led a reclusive life.
Darby's Rangers
The exciting true story of a legendary leader and the men who fought by his side in World War II, told in his own words From the moment they hit the beaches in North Africa to their last desperate struggle at Anzio, Darby’s Rangers asked for only one thing in World War II—the chance to fight. Experts at amphibious landings, night attacks, and close combat, the Rangers were the spearhead advancing U.S. forces. And at their helm was William O. Darby, a forceful, charismatic man who inspired, and was inspired by, his troops. Against overwhelming odds in Tunisia, through the concentrated hell at Gela, on to the final kill at Messina and the Italian mainland, Darby and his Rangers led the way. Darby’s Rangers is an authentic war story, as vivid as the action itself. “Proud reading . . . of value to a new generation of military historians and ‘battle buffs.’”—Military Affairs Magazine
