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1971
Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls t...
What it Means to Write About Art
The most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. Equal parts oral history and analysis of craft, What It Means to Write About Art offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alik...
Among Others
Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.
Darbyshire on the English Legal System
This edition of an established text provides a concise and up-to-date introduction to the English legal system. Both law students and students on vocational courses will welcome it as a highly readable and stimulating overview of the subject.
Silke Otto-Knapp
Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the medium's possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapp's exhibition at the Renaissance Society, In the waiting room, presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops. Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig Øvstebø and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies.
Matisse in the Studio
Published to accompany the Royal Academy exhibition 'Matisse in the Studio', this book is the first in English to explore the essential role that Henri Matisse's personal collection of objects played in his studio practice. Featured frequently in the modern master's bold paintings, drawings, and cut-outs, and influencing the development of his work in sculpture, Matisse's objects formed a secret history hiding in plain sight. Works that span the artist's entire career are presented here alongside the objects that inspired them, from Asian vases and African masks to intricate textiles from the Islamic world. With lush illustrations and archival images, Matisse in the Studio provides exceptional insights into the world of the artist at work.
Domesday England
Domesday Book is the most famous English public record, and it is probably the most remarkable statistical document in the history of Europe. It calls itself merely a descriptio and it acquired its name in the following century because its authority seemed comparable to that of the Book by which one day all will be judged (Revelation 20:12). It is not surprising that so many scholars have felt its fascination, and have discussed again and again what it says about economic, social and legal matters. But it also tells us much about the countryside of the eleventh century, and the present volume is the seventh of a series concerned with this geographical information. As the final volume, it seeks to sum up the main features of the Domesday geography of England as a whole, and to reconstruct, as far as the materials allow, the scene which King William's clerks saw as they made their great inquest.
Dispensationalism Before Darby
For years, critics of premillennialism have argued that John Nelson Darby was the source for the doctrine of the rapture and dispensationalism. Building upon years of research in seventeenthcentury and eighteenth-century English theological writings, William Watson argues that dispensationalism and the ideas associated with it were long part of British theological discourse. Drawing upon hundreds of early printed English books and years of archival study in primary sources and British libraries, Watson demonstrates that Darby's thought was neither aberrant nor original. To the contrary, he was following a long line of British clergy who anticipated the restoration of Jews to a national homeland and the imminent return of Jesus Christ.
Darby
"Darby's first-person narrative is frank and immediate . . . expressing what it's like for an ordinary white kid who suddenly discovers evil — and courage — where she lives." — BOOKLIST "From my back porch, I can see where my best friend lives. Evette’s tenant house sits on my daddy’s property . . . but on account of her being black and me being white, she hardly ever comes in my house, and I don’t go in hers. My daddy says that’s just the way it is." Darby Carmichael thinks her best friend is probably the smartest person she knows, even though, as Mama says, Evette’s school uses worn-out books and crumbly chalk. Whenever they can, Darby and Evette shoot off into the woods beyond the farm to play at being fancy ladies and schoolteachers. One thing Darby has never dreamed of being - not until Evette suggests it - is a newspaper girl who writes down the truth for all to read. In no time, and with more than a little assistance from Evette, Darby and her column in the Bennettsville Times are famous in town and beyond. But is Marlboro County, South Carolina, circa 1926, ready for the truth its youngest reporter has to tell?
