Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
1971
Art historian Darby English is celebrated for working against the grain and plumbing gaps in historical narratives. In this book, he explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of black cultural politics: Contemporary Black Artists in America, shown at the Whitney Museum of American Art, and The DeLuxe Show, an integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.1971 takes an insightful look at many black artists' desire to gain freedom from overt racial representation, as well as their and their advocates' efforts to further that aim through public exhibitions. Amid calls t...
How to See a Work of Art in Total Darkness
Going beyond the 'blackness' of black art to examine the integrative and interdisciplinary practices of Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L—five contemporary black artists in whose work race plays anything but a defining role. Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness—his metaphorical "total darkne...
Glenn Ligon
Text by Darby English, Wayne Baerwaldt, Huey Copeland, Mark Nash, Wayne Koestenbaum. Interview by Stephen Andrews.
What it Means to Write About Art
The most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. Equal parts oral history and analysis of craft, What It Means to Write About Art offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alik...
Among Others
Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.
Silke Otto-Knapp
Los Angeles-based artist Silke Otto-Knapp has developed a painting practice characterized by its rigorous process and attentiveness to the medium's possibilities. Using layers of black watercolor pigment, she builds up delicate surfaces, producing subtle variations in density and a powerful sense of atmosphere. Otto-Knapp's exhibition at the Renaissance Society, In the waiting room, presented a new group of large-scale free-standing paintings in that evokes a multidimensional stage set. Some depict silhouetted bodies while others introduce scenic elements reminiscent of painted backdrops. Offering a close look at the exhibition, this volume includes an array of illustrations, a conversation between curator Solveig Øvstebø and the artist, and four newly commissioned essays by Carol Armstrong, Darby English, Rachel Hann, and Catriona MacLeod, grounded in art history and performance studies.
Darby's Rangers
The exciting true story of a legendary leader and the men who fought by his side in World War II, told in his own words From the moment they hit the beaches in North Africa to their last desperate struggle at Anzio, Darby’s Rangers asked for only one thing in World War II—the chance to fight. Experts at amphibious landings, night attacks, and close combat, the Rangers were the spearhead advancing U.S. forces. And at their helm was William O. Darby, a forceful, charismatic man who inspired, and was inspired by, his troops. Against overwhelming odds in Tunisia, through the concentrated hell at Gela, on to the final kill at Messina and the Italian mainland, Darby and his Rangers led the way. Darby’s Rangers is an authentic war story, as vivid as the action itself. “Proud reading . . . of value to a new generation of military historians and ‘battle buffs.’”—Military Affairs Magazine
Domesday England
Domesday Book is the most famous English public record, and it is probably the most remarkable statistical document in the history of Europe. It calls itself merely a descriptio and it acquired its name in the following century because its authority seemed comparable to that of the Book by which one day all will be judged (Revelation 20:12). It is not surprising that so many scholars have felt its fascination, and have discussed again and again what it says about economic, social and legal matters. But it also tells us much about the countryside of the eleventh century, and the present volume is the seventh of a series concerned with this geographical information. As the final volume, it seeks to sum up the main features of the Domesday geography of England as a whole, and to reconstruct, as far as the materials allow, the scene which King William's clerks saw as they made their great inquest.
Matisse in the Studio
Published to accompany the Royal Academy exhibition 'Matisse in the Studio', this book is the first in English to explore the essential role that Henri Matisse's personal collection of objects played in his studio practice. Featured frequently in the modern master's bold paintings, drawings, and cut-outs, and influencing the development of his work in sculpture, Matisse's objects formed a secret history hiding in plain sight. Works that span the artist's entire career are presented here alongside the objects that inspired them, from Asian vases and African masks to intricate textiles from the Islamic world. With lush illustrations and archival images, Matisse in the Studio provides exceptional insights into the world of the artist at work.
The Origins and Development of the Dutch Revolt
The Dutch revolt against Spanish rule in the sixteenth century was a formative event in European history. The Origins and Development of the Dutch Revolt brings together in one volume the latest scholarship from leading experts in the field, to illuminate why the Dutch revolted, the way events unfolded and how they gained independence. In exploring the desire of the Dutch to control their own affairs, it also questions whether Dutch identity came about by accident. The book makes the most recent research available in English for the first time, focusing on: * the role of the aristocracy * religion * the towns and provinces * the Spanish perspective * finance and ideology.
