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Up Jumped the Devil
The Penderyn 2020 Music Book Prize (UK edition) Living Blues Critics Choice Best Blues Book of 2019 Living Blues Readers Choice Best Blues Book of 2019 Certificate of Merit in the Best Historical Research in Recorded Blues, Soul, Gospel, or R&B category from ARSC (Association for Recorded Sound Collections) An essential story of blues lore, black culture, and American music history Robert Johnson's recordings, made in 1936 and 1937, have profoundly influenced generations of singers, guitarists, and songwriters. Yet until now, his short life—he was murdered at the age of 27—has been poorly documented. Gayle Dean Wardlow has been interviewing people who knew Johnson since the early 1960s, ...
It was All Right
The story of Detroit rock icon Mitch Ryder's life in the context of the many changes in popular music, politics, and American culture since the 1960s. Songs performed by Detroit rocker Mitch Ryder, such as "Devil with a Blue Dress On/Good Golly Miss Molly" and "Jenny Take a Ride" are among the most well loved of the twentieth century, but his fascinating life story is unknown to many. It Was All Right is a portrait of Ryder built on firsthand "road stories"--a rock-and-roll travelogue that is also an insider's look at fame and popular culture in America. Born in 1945 in Hamtramck, Michigan, Ryder has been in the music business for 47 years, made more than two dozen albums' worth of recording...
Biography of a Phantom
The drama of In Cold Blood meets the stylings of a Coen brothers film in this long-lost manuscript from musicologist Robert “Mack” McCormick, whose research on blues icon Robert Johnson's mysterious life and death became as much of a myth as the musician himself "This is a human and humane book, an insightful exploration of the biographer’s craft. [...] McCormick’s book makes you feel what we lost when Johnson died young." —New York Times "Reads like noir fiction. It's a detective story riddled with fatalism and ambiguity carried out by someone who, like the archetypal noir hero, isn't a detective but an ordinary guy in a dismal, often violent setting searching for what can't be fo...
Vagabonds, Tramps, and Hobos
The most enduring version of the hobo that has come down from the so-called 'Golden Age of Tramping' (1890s to 1940s) is an American cultural icon, signifying freedom from restraint and rebellion to the established order while reinforcing conservative messages about American exceptionalism, individualism, race, and gender. Vagabonds, Tramps, and Hobos shows that this 'pioneer hobo' image is a misrepresentation by looking at works created by transient artists and thinkers, including travel literature, fiction, memoir, early feminist writing, poetry, sociology, political journalism, satire, and music. This book explores the diversity of meanings that accrue around 'the hobo' and 'the tramp'. It is the first analysis to frame transiency within a nineteenth-century literary tradition of the vagabond, a figure who attempts to travel without money. This book provide new ways for scholars to think about the activity and representation of US transiency.
African American Folksong and American Cultural Politics
In African American Folksong and American Cultural Politics: The Lawrence Gellert Story, scholar and musician Bruce Conforth tells the story of one of the most unusual collections of African American folk music ever amassed—and the remarkable story of the man who produced it: Lawrence Gellert. Compiled between the World Wars, Gellert's recordings were immediately adopted by the American Left as the voice of the true American proletariat, with the songs—largely variants of traditional work songs or blues—dubbed by the Left as "songs of protest." As both the songs and Gellert’s standing itself turned into propaganda weapons of left-wing agitators, Gellert experienced a meteoric rise wi...
Terror and Truth
Stephen A. King and Roger Davis Gatchet examine how Mississippi confronts its history of racial violence and injustice through civil rights tourism. Mississippi’s civil rights memorials include a vast constellation of sites and experiences—from the humble Fannie Lou Hamer Museum in Ruleville to the expansive Mississippi Civil Rights Museum in Jackson—where the state’s collective memories of the movement are enshrined, constructed, and contested. Rather than chronicle the history of the Mississippi Movement, the authors explore the museums, monuments, memorials, interpretive centers, homes, and historical markers marketed to heritage tourists in the state. Terror and Truth: Civil Righ...
Say No to the Devil
Despite almost universal renown among his contemporaries, Davis lives today not so much in his own work but through covers of his songs by Dylan, Jackson Browne, and many others, as well as in the untold number of students whose lives he influenced--many of whom continue to teach his techniques today. The first biography of Davis, Say No to the Devil restores the Rev's remarkable story. Drawing on extensive research and interviews with many of Davis's former students and others who knew him well, music journalist Ian Zack takes readers through Davis's difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, where he scraped out a living singing and preaching on street corners and in storefront churches in Harlem. There, he gained entry into a circle of musicians that included, among many others, Lead Belly, Woody Guthrie, and Dave Van Ronk.
Hard Luck Blues
Showcasing American music and music making during the Great Depression, Hard Luck Blues presents more than two hundred photographs created by the New Deal's Farm Security Administration photography program. With an appreciation for the amateur and the local, FSA photographers depicted a range of musicians sharing the regular music of everyday life, from informal songs in migrant work camps, farmers' homes, barn dances, and on street corners to organized performances at church revivals, dance halls, and community festivals. Captured across the nation from the northeast to the southwest, the images document the last generation of musicians who learned to play without the influence of recorded ...
Up Jumped the Devil
Up Jumped the Devil will astonish blues fans who thought they knew something about Robert Johnson.
