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Published to coincide with exhibitions at the Ruskin Gallery, Cambridge (1-23 February 2006) and the Leinster Gallery, Dublin (1-17 March 2006).16 page catalogue in full colour with essays by Chistopher Horrocks and David Ryan.
Is evil evidence against the existence of God? Even if God and evil are compatible, it remains hotly contested whether evil renders belief in God unreasonable. The Evidential Argument from Evil presents five classic statements on this issue by eminent philosophers and theologians and places them in dialogue with eleven original essays reflecting new thinking by these and other scholars. The volume focuses on two versions of the argument. The first affirms that there is no reason for God to permit either certain specific horrors or the variety and profusion of undeserved suffering. The second asserts that pleasure and pain, given their biological role, are better explained by hypotheses other than theism. Contributors include William P. Alston, Paul Draper, Richard M. Gale, Daniel Howard-Snyder, Alvin Plantinga, William L. Rowe, Bruce Russell, Eleonore Stump, Richard G. Swinburne, Peter van Inwagen, and Stephen John Wykstra.
Believing the wrong thing can have drastic consequences. The question of when a person is not only ill-guided, but genuinely at fault for holding a particular belief goes to the root of our understanding of such notions as criminal negligence and moral responsibility. This book explores the conditions under which someone may be deemed blameworthy for holding a particular belief, drawing on contemporary epistemology, ethics and legal scholarship.
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When God created man, He did so with the intention that man would live in perfect harmony with his Creator and with the rest of natural creation; however, man’s disobedience fractured the relationship and opened the door for pain, heartache, disaster, and even death to enter the world. God’s original intention has not changed—He still desires that His children enjoy the fullness of all He has to offer. The Garden and the Ghetto is a collection of stories that illustrate the continued effects of obedience and disobedience, as well as essays that teach us how to return to a garden existence with the One who made us. Just as disobedience pushed mankind out of the perfect environment Fathe...
Each painting in Russell's latest series of large-scale paintings draws its title and intent from mythical and fabulous places or domains, such as Atlantis and Shangri-la. They develop the ongoing themes of glyphs and morphs that populated Russell's previous series of circles and diamond format works, recently shown in Dublin and Cambridge.Squaresites is accompanied by a new and very handsome catalogue with a superb essay by James Faure Walker, discussing Russell's recent work in the context of abstraction and modernism.
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