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Legends of the Pierced Veil - Izuna
Mythical tales of bloodshed set in a Feudal Japan that runs rampant with spirits both demonic & heroic fighting for the fate of their world, from acclaimed creator Saverio Tenuta.
Kamigakushi
Since the dawn of time, the Izuna wolves have been entrusted as guardians against Japan's evil spirits. Set in the wondrous world of "Legend of the Scarlet Blades."
Yamibushi
Since the dawn of time, the Izuna wolves have been entrusted as guardians against Japan's evil spirits. Set in the wondrous world of "Legend of the Scarlet Blades."
Wunjo
Since the dawn of time, the Izuna wolves have been entrusted as guardians against Japan's evil spirits. Set in the wondrous world of "Legend of the Scarlet Blades."
Namaenashi
Since the dawn of time, the Izuna wolves have been entrusted as guardians against Japan's evil spirits. Set in the wondrous world of "Legend of the Scarlet Blades."
Legends of the Pierced Veil - The Mask of Fudo
Mythical tales of bloodshed set in a Feudal Japan that runs rampant with spirits both demonic & heroic fighting for the fate of their world, from acclaimed creator Saverio Tenuta.
Star Trek: Countdown to Darkness
The countdown to the motion picture event begins here, in this blockbuster 4-issue prequel mini-series that sets the stage for the upcoming STAR TREK film! Like the best-selling STAR TREK: COUNTDOWN in 2009, this all-new series leads directly into the next movie, with a story by STAR TREK writer/producer Roberto Orci and Mike Johnson (STAR TREK ongoing series), and drawn by the original STAR TREK: COUNTDOWN artist, David Messina! STAR TREK: COUNTDOWN TO DARKNESS is the can't-miss lead-in to the new adventures of the Enterprise crew!
Debating Unemployment Policy
Considers the policy debates surrounding unemployment in Western Europe after the outbreak of the Great Recession.
Trieste
In Italy, an elderly mother awaits a reunion with the son stolen from her by the Nazis—“A darkly hypnotic kaleidoscope of a book” (The Jewish Daily Forward). Haya Tedeschi sits alone in Gorizia, in northeastern Italy, surrounded by a basket of photographs and newspaper clippings. Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an SS officer and stolen from her by the German authorities as part of Himmler’s clandestine Lebensborn project. Tedeschi reflects on her Catholicized Jewish family’s experiences, in a narrative that deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps, and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, and to eyewitness accounts of atrocities that took place on her doorstep. From this broad collage of material and memory arises the staggering chronicle of Nazi occupation in northern Italy that “explores the 20th century’s darkest chapter in an original way . . . an exceptional reading experience” (Minneapolis Star-Tribune).
2130 volte "Vivere"
Essere fan di una soap opera, soprattutto se sei giovane e uomo non è una cosa "comune". Una semplice soap opera, sì. "Vivere" non è stata in dieci anni una banale soap opera ma la realtà sceneggiata. Un cast artistico favoloso che in dieci stagioni, dal 1999 al 2008, ci ha regalato emozioni e sentimenti, drammi, gioie e dolori, addii e misteri. "Vivere" è stato un grande racconto popolare e appassionato nel quale ognuno di noi ha potuto immedesimarsi in uno o più personaggi e ogni personaggio di "Vivere" è stato realizzato con marcate e profonde linee psicologiche. Lungi da me fare analisi psico-sociali. L'emozione, quella vera, quella pura ha trascinato cinque milioni di telespettatori, quotidianamente, sino al suo declino, come un grande impero.
