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Drieu La Rochelle and the Picture Gallery Novel
At the beginning of the nineteenth century, Philadelphia was the theatrical center of the United States, owing largely to the elegant Chestnut Street Theatre and its excellent resident company of actors. The survival and success of the company can be greatly attributed to Anne Brunton Merry.Mrs. Merry, who made her first appearance on stage at the ago of sixteen, experienced meteoric success in the English theatre, and after only three years was being favorably compared with te famed Sarah Siddons. She came to the Chestnut Street company in 1796, tow years afer its formation, and through her portrayals of Shakespearean heroines, as well as roles in sentimental comedy and in tragedy, she soon...
Theatrical Costume, Masks, Make-Up and Wigs
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
Brief Chronicles
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The Caregiving Dilemma
"I know of no other book which gives such a richly contextualized picture of women workers in a nursing home setting. . . . A first-rate ethnography."—Louise Lamphere, University of New Mexico
Unrespectable Radicals?
In 1988 Iain McCalman's seminal work, Radical Underworld, unravelled the complex and clandestine revolutionary networks of democrats that operated in London between 1790 and the beginnings of Chartism, to reveal an urban underworld of prophets, infidels, pornographers and rogue preachers where powerful satirical and subversive subcultures were developed. This present volume reflects and builds upon the diversity of McCalman's discoveries, to present fresh insights into the culture and operation of popular politics in the 'age of reform'. It is a coherent and integrated treatment of the subject that offers a window into this 'unrespectable' underworld and questions whether it was a blackguard subculture or a more complex and rich counter-culture with powerful literary, legal and political implications. This book brings together an international team of experienced scholars to explore the concepts and subjects pioneered by McCalman. The volume presents a focused and coherent review of popular politics, from the meeting rooms of a reform society and the theatre stage, to the forum of the courtroom and the depths of prison.
Shakespeare Survey
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Bread of Life in Broken Britain
The return of Christian social service to the centre of British political life through the emergence of the foodbank movement has elicited a range of ecclesial responses. However, in their urgency and brevity these Church responses fail to systematically integrate political critique and social analysis, nor do they undertake a sustained integration of the recent gains in political theology with the realities of our current ‘mixed economy of welfare’. Charles Pemberton draws on interviews with foodbank users and volunteers to defend and advance a Christian vision of welfare beyond emergency food provision. He suggests that behind the day-to-day struggles of those using foodbanks there are wider much concerns about loneliness, marginalisation and the wholesale fragmentation of society.
Shakespeare Survey: A Sixty-Year Cumulative Index
A single-volume cumulative index covering the past six decades of Shakespeare Survey.
A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800
Volume 16 completes the magisterial Biographical Dictionary which provides information on some 8,500 of the people who contributed to the patent theatres, opera houses, fair booths, concert halls, and pleasure gardens in and around London during the period from 1660 to 1800. The final volume centers on Margaret Woffington, "the most beautiful woman that ever adorned a theatre" (the judgment of Thomas Davies--evidenced by the nine included portraits). Annotation copyright by Book News, Inc., Portland, OR
