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BRYAN WALLER PROCTER (BARRY CO
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Barry Cornwall
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Barry Cornwall
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Charles Lamb
Reproduction of the original: Charles Lamb by Barry Cornwall
Bright Stars
If we could ask a Romantic reader of new poetry in 1820 to identify the most celebrated poet of the day after Byron, the chances are that he or she would reply with the name of Barry Cornwall'. Solicitor, dandy and pugilist, Cornwall -- pseudonym of Bryan Waller Procter (1787-1874) -- published his first poems in the Literary Gazette in late 1817. By February 1820, under the tutelage of Keats's mentor, Leigh Hunt, Cornwall had produced three volumes of verse. Marcian Colonna sold 700 copies in a single morning, a figure exceeding Keats's lifetime sales. Hazlitt's suppressed anthology, Select British Poets (1824), allocated Cornwall nine pages -- the same number as Keats, and more than Southe...
