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For the first time, this volume contains Bryony Lavery's most popular plays.
THE STORY: One evening ten-year-old Rhona goes missing. Her mother, Nancy, retreats into a state of frozen hope. Agnetha, an American academic, comes to England to research a thesis: Serial Killing--A Forgivable Act? Then there's Ralph, a loner wh
The sexes collide in this genre-defying, spooky romantic comedy which takes a funny and a funny-peculiar look at modern women and their relationships.
Situated on one of the world's most beautiful harbors, Stockholm has set the benchmark for civilized urban living since the time of the Vikings. Tony Griffiths reveals a city of power, intrigue, and murder; of scientists and investors; and a sensual city, home of Greta Garbo and the smörgåsbord. Its medieval period saw the Vasa dynasty turn a small town into the capital of a dominant European power and a major trading port. In the Napoleonic era, Stockholm established itself as a center of both technical and social innovation. While the city has suffered more than its fair share of misfortune, Stockholm's cultural and commercial elite transformed it into a community which now welcomes innovation and spreads the fruits of its achievements far beyond its borders.
Keep your guard up. Protect yourself at all times. Protect your boy. Keep him safe. Keep him close. That is all that matters. Cameron is going places. He's going to see lights. He's going to make the world take notice and kneel at his feet. He's fighting for his club, his mum, his place in the world. And this boy is a natural. He has an affinity with the violence, the balance, the ritual, the grace and the power. He is indestructible. Beautiful Burnout is about the soul-sapping three-minutes when men become gods and gods, mere men. It's about the second when the guard drops, that moment when the eyes blink and miss the incoming hammer blow. Beautiful Burnout premiered at the Pleasance Forth as part of the Edinburgh International Festival in August 2010 before touring the UK in a co-production between Frantic Assembly and the National Theatre of Scotland.
It’s a dark, stormy night. The stars are out. Jim, the innkeeper’s granddaughter, opens the door to a terrifying stranger. At the old sailor’s feet sits a huge sea-chest, full of secrets. Jim invites him in—and her dangerous voyage begins. Robert Louis Stevenson’s classic tale of murder, money, and mutiny is brought to life in this thrilling adaptation.
More Light and the other "ladies of the Emperor" have been immured with the recently deceased Chinese ruler. Used to a secure and luxurious existence, they are driven to extremes of human behaviour which test the limits of their mutual loyalty.
This is the tale of family, memory, love, and living told by 14-year-old Susie Salmon, who is already in heaven. Through the voice of a precocious teenage girl, Susie relates the awful events of her death and builds out of her family's grief a hopeful and joyful story.
This is a comedy of wedding days and life-long responsibilities, told with wit and flair by one of Britain's most distinctive writers. Briony Lavery's plays include: Her Aching Heart, Goliath and Frozen.
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Cologne (Englisches Seminar), course: Envisioning Mad Selves, language: English, abstract: Bryony Lavery’s play Frozen consists of two acts and 30 scenes and was first performed by the Birmingham Repertory Theatre in 1998. The three main characters of the play are Agnetha, an American psychologist, Nancy, a mother whose ten-year-old daughter Rhona gets abused and killed, and Ralph, a sexual serial killer who also murdered Rhona. All three of them can be regarded as traumatised characters and in the beginning of the play they are, literally, frozen. However, Lavery allows each of them to take a journey towards a melting of their frozen states. The term paper investigates how the concept of trauma is represented in the play, which in this case implies a focus on the illustration of the characters’ frozen states and their “melting”. Therefore I will first provide an overview of the concept of trauma and will place Frozen into the context of “Trauma Drama”, before I move on to a close reading of the play.