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Looks at a variety of Buddhist sacred writings as literature and includes insights from literary theory.
The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.
Can literature reveal reality? Is philosophical truth a literary artifice? How does the way we think affect what we can know? Buddhism has been grappling with these questions for centuries, and this book attempts to answer them by exploring the relationship between literature and philosophy across the classical and contemporary Buddhist worlds of India, Tibet, China, Japan, Korea, and North America. Written by leading scholars, the book examines literary texts composed over two millennia, ranging in form from lyric verse, narrative poetry, panegyric, hymn, and koan, to novel, hagiography, (secret) autobiography, autofiction, treatise, and sutra, all in sustained conversation with topics in m...
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Reading Emptiness connects ancient Buddhist attitudes and ideas with postmodern theory and aesthetics, concluding that the closest thing in Western culture to the Middle Way of Buddhism is not any sort of theory or philosophy, but the practice of literature. The book draws on scholarship and criticism in literary theory, philosophy, and science to speculate about the possible common ground between literary and Buddhist practices, aiming not so much to elucidate the ancient traditions of Buddhism as to seek ways in which literature might be integrated into a truly Western practice of Buddhism that would remain philosophically true to its Eastern roots.
Head, Eyes, Flesh, and Blood is the first comprehensive study of a central narrative theme in premodern South Asian Buddhist literature: the Buddha's bodily self-sacrifice during his previous lives as a bodhisattva. Conducting close readings of stories from Sanskrit, Pali, Chinese, and Tibetan literature written between the third century BCE and the late medieval period, Reiko Ohnuma argues that this theme has had a major impact on the development of Buddhist philosophy and culture. Whether he takes the form of king, prince, ascetic, elephant, hare, serpent, or god, the bodhisattva repeatedly gives his body or parts of his flesh to others. He leaps into fires, drowns himself in the ocean, ri...
This is a translation of Frauwallner's Abhidharmastudien. It analyzes the literary traditions, doctrinal tendencies, and structural methods of the Buddhist Abhidarma canon in order to expose the beginnings of systematic philosophical thought in Buddhism. Frauwallner's insights illuminate the path of meditation toward liberation, the development of Buddhist psychology, and the evolution of the Buddhist view of causality and the problem of time. He provides a clear explanation of the gradual development of Buddhist thought from its early doctrinal beginning to some of the most complex and remarkable philosophical edifices in history.
This first volume of the Silk Roads Studies is a reference manual of the published Uygur Buddhist literature. Uygur Buddhist Literature creates a complete inventory of the published Uygur Buddhist texts along with a bibliography of the pertinent scholarlyliterature. The work includes an introduction that outlines the history of the discovery of the Uygur Buddhist Literature and a short history of the Buddhist Uygurs and their translation activities. The survey of the literature itself is divided into six sections: (1) Non-Mahayana Texts, including Sutra, Vinaya, Abhidarma, Biographies of the Buddha (including Jatakas) and Avadana; (2) Mahayana Sutras; (3) Commentaries; (4) Chinese Apocrypha;...