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This is a photographic and written history of some of the towns along Highway 2. I chose this route because of it's proximity to the once proud and dominating Great Northern Railway. The railroad still runs along the same route, but there have been many changes over the years.
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NEW YORK TIMES BESTSELLER 'Madness, though ostensibly the story of Crownsville, is really about the continued lack of understanding, treatment and care of the mental health of a people, Black people, who need it most' New York Times In the tradition of The Immortal Life of Henrietta Lacks, a page-turning 93-year history of Crownsville Hospital, one of the United States' last segregated asylums. On a cold day in March of 1911, officials marched twelve Black men into the heart of a forest in Maryland. Under the supervision of a doctor, the men were forced to clear the land, pour cement, lay bricks and harvest tobacco. When construction finished, they became the first twelve patients of the sta...
This book continues the riches of two highly praised previous volumes, Voices from the Negro Leagues interesting...solid--MultiCultural Review) and The Negro Leagues Revisited (wonderful--Booklist/RBB; voluminous...top-notch--Public Library Quarterly). The players interviewed in this new book of interviews are Bill Bethea, John Scoop Brown, Paul Casanova, Jim Colzie, Bunny Davis, Ross Davis, Clifford DuBose, Lionel Evelyn, Hubert Glenn, Herald Beebop Gordon, Raymond Haggins, J.C. Hartman, Joe Henry, Carl Holden, Vernell Jackson, Clarence Jenkins, Ernest Johnson, Thomas Johnson, Marvin Jones, Ezell King, Willie Lee, Larry LeGrande, William Little, Nathaniel McClinic, John Mitchell, Grady Montgomery, Bob Motley, Charley Pride, Mack Pride, Bill Sonny Randall, Henry Saverson, Eugene Scruggs, Willie Sheelor, Sam Taylor, Ron Teasley, James Way, Sam Williams, Walter Williams, and Willie Young. Photographs of the players and their teammates and complete-as-possible statistics supplement the interviews.
Calypso, with its diverse cultural heritage, was the most significant Caribbean musical form from World War I to Trinidad and Tobago Independence in 1962. Though wildly popular in mid-1950s America, Calypso--along with other music from "the island of the hummingbird"--has been largely neglected or forgotten. This first-ever discography of the first 50 years of Trinidadian music includes all the major artists, as well as many obscure performers. Chronological entries for 78 rpm recordings give bibliographical references, periodicals, websites and the recording locations. Rare field recordings are cataloged for the first time, including East Indian and Muslim community performances and Shango and Voodoo rites. Appendices give 10-inch LP (78 rpm), 12-inch LP (33 1/3 rpm), extended play (ep) and 7-inch single (45) listings. Non-commercial field recordings, radio broadcasts and initially unissued sessions also are listed. The influence of Trinidadian music on film, and the "Calypso craze" are discussed. Audio sources are provided. Indexes list individual artists and groups, recording titles and labels.
Presents testimony and statements from U.S. Senators; Deputy Sec., U.S. Dept. of Ag.; Natural Resources Conserv. Service; and Under Sec., Natural Resources and Environ.; as well as rep's. from the Nat. Cattlemen's Assoc.; Amer. Farm Bureau Fdn.; Nat. Assoc. of Wheat Growers; Nat. Farmers Union; Nat. Assoc. of State Dep's. of Ag; Nat. Audubon Soc.; Amer. Sheep Industry Assoc., Assoc. of Metro. Water Agencies; and others. Additional materials and statements from: Ducks Unlimited; Amer. Waterworks Assoc., Nat. Grain and Feed Assoc.; Nat. Pork Producers Council; Nat. Wildlife Fdn.; Soil and Water Conserv. Soc., and others.
This landmark book tells the story of one of the most enduring forms of popular culture in Australia. Prior to the 1950s, country music was called hillbilly music. Hillbilly was the rock ‘n’ roll of its day. The latest craze, straight from America, it was young, exciting and glamorous. This book traces the journey hillbilly took to become country: the rural nationalistic form it is known as today. Yodelling Boundary Riders is the first book to contextualise country music into a broader story about Australian history. Not just concerned with the development of music itself, it is also a history of the ways in which Australians have responded to the rapid rate of change in the twentieth century and the global fascination with “authenticity”. True to its subject matter, the writing is colourful and entertaining. Along the way Martin introduces some wonderful characters and events: yodelling stockmen, singing cowgirls, sentimental cowboys, coo-ees in Nashville, hobos on the mail train, the Sheik of Scrubby Creek and Australia’s craziest hillbillies.
"A short-story collection that charts the yearning inherent in imperfect lives, when hopefulness and disappointments abound in equal measure"--