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Chila Kumari Burman: Shakti, Sexuality and Bindi Girls
A monograph on the artist, Chila Kumari Burman, which looks at her work in terms of her South Asian identity, her contribution to the black arts movement and Stuart Hall’s definitions of “new ethnicities” in contemporary Britain. Rina Arya examines a wide range of works made by the artist from the mid-1980s but focuses on her Ice-Cream series of works (2006-2008) and her Bindi Girls series.
The Burman
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Phil Burman
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The Burman Chronicle
This engaging family history traces the story of the Burman family, from their origins in rural Warwickshire to their success in business and politics in London and beyond. Written by John Burman, a descendant of the family, it offers an intimate insight into the lives of individual family members and the wider events and trends of their times. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Chila Kumari Burman
This monograph brings together the work of Chili Kumari Burman from 1980 to 1995. Burman was among a handful of artists whose families had settled in post-war Britain and who emerged from art schools in the early 1980s. Faced with an art establishment unwilling to recognize the individual cultural practices of such artists beyond the stereotypes of ethnicity, Burman became part of a militant vanguard determined to gain their right to full participation in the nations cultural life on their own terms - meaning, amongst other things, self-representation and artistic credibility. Burman has consistently used her own image in an ever-expanding repertoire of provocative and active female identities, complementing her artwork with polemical texts, curating exhibitions and community art projects.
An Oration by Mr. Peter Burman Against the Studies of Humanity. Shewing, That the Learned Languages, History, Eloquence and Critick, Are Not Only Useless, But Also Dangerous to the Studies of Law, Physick, Philosophy
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people...
