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Markus Oehlen (*1956) is one of Germany?s most unmistakable painters. As an anarchic pictorial inventor, since the 1980ies he has revolted against any visual convention and aesthetic convenience. Due to his integration of digital techniques and the contemporary reservoir of images, he creates stunningly hybrid paintings. Collage-like fragments of art history and popular culture interfere with each other. Abstraction and figuration flashingly blend into one another. With the utmost freedom, Oehlen expands the possibilities of today?s painting in his both daring and calculated pictorial experiments
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Índice 01_Entretelas 02_Alta costura Librerías y libreros: historia de un oficio, desafíos del presente Roger Chartier Autorretrato de un lector Alberto Manguel 03_Escaparate Homenaje a Inge Feltrinelli Beatriz de Moura Reconocimiento a Inge Feltrinelli Tomás Granados 04_Sin título Chema Madoz 05_Macramé Dos intentos de explicar, no la crisis del libro, sino nuestra percepción, quizá falaz, de que el libro está en crisis Alejandro Katz La lectura. Visión ordenada y numerada Alejandro Sierra La mirada de un editor Christopher Maclehose Un amor obsesivo: la edición de libros Carlos Sánchez Edición, ¿independiente o interdependiente? José María Barandiarán El uso de las nuevas ...
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