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The Cinema of Béla Tarr
The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovács traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.
Béla Tarr, the Time After
From Almanac of Fall (1984) to The Turin Horse (2011), renowned Hungarian filmmaker Béla Tarr has followed the collapse of the communist promise. The “time after” is not the uniform and morose time of those who no longer believe in anything. It is the time when we are less interested in histories and their successes or failures than we are in the delicate fabric of time from which they are carved. It is the time of pure material events against which belief will be measured for as long as life will sustain it.
The Melancholy of Resistance
Winner of the 2015 Man Booker International Prize The Melancholy of Resistance, László Krasznahorkai's magisterial, surreal novel, depicts a chain of mysterious events in a small Hungarian town. A circus, promising to display the stuffed body of the largest whale in the world, arrives in the dead of winter, prompting bizarre rumours. Word spreads that the circus folk have a sinister purpose in mind, and the frightened citizens cling to any manifestation of order they can find - music, cosmology, fascism. The novel's characters are unforgettable: the evil Mrs. Eszter, plotting her takeover of the town; her weakling husband; and Valuska, our hapless hero with his head in the clouds, who is the tender centre of the book, the only pure and noble soul to be found. Compact, powerful and intense, The Melancholy of Resistance, as its enormously gifted translator George Szirtes puts it, 'is a slow lava flow of narrative, a vast black river of type.' And yet, miraculously, the novel, in the words of Guardian, 'lifts the reader along in lunar leaps and bounds.'
Slow Places in Béla Tarr's Films
Slow Places in Béla Tarr’s Films explores Hungarian filmmaker Béla Tarr’s approach to creating geographies of indifference through slow cinema techniques. Through a close examination of Tarr’s filmography, Clara Orban observes that his interiors provide claustrophobic environments in which human relationships have difficult flourishing, while his exteriors become landscapes through which characters wander endlessly. Furthermore, Orban argues, Tarr’s sparse use of animals provides contrast to the humans who inhabit these spaces, as they, too, are indifferent to humans’ fates. Orban utilizes close readings of Tarr’s films—including his earlier short films—along with relevant poems, a thorough filmography, and an interview with Tarr about aspects of this book to aid in her analysis. Ultimately, this book offers an accessible but detailed look at the geographic locations and ecological implications of the entire compendium of Tarr’s productions.
Organic Cinema
The “organic” is by now a venerable concept within aesthetics, architecture, and art history, but what might such a term mean within the spatialities and temporalities of film? By way of an answer, this concise and innovative study locates organicity in the work of Béla Tarr, the renowned Hungarian filmmaker and pioneer of the “slow cinema” movement. Through a wholly original analysis of the long take and other signature features of Tarr’s work, author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture, revealing shared organic principles that emphasize the transcendence of boundaries.
Béla Tarr
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The Cinema of Bla Tarr
This study analyzes the work of Hungary's most prominent film director, written by a scholar who has known Béla Tarr personally and professionally for more than 25 years. Tracing the evolution of the director's unique characters, themes, and style, the text locates the significance of Tarr's films in their powerful vision of an entire region and its history. Tarr's films express, in their universalistic language, the shared feelings and experiences of millions of Eastern Europeans.
Poetics of Slow Cinema
This book discusses slow cinema, a contemporary global production trend that has recently gained momentum in film theory and criticism. Slow films dispense with narrative progression in favour of a contemplative mood, which is stretched out to the extreme in order to impel viewers to confront cinematic temporality in all its undivided glory. Despite its critical reputation as an oblique mode of film practice, slow cinema continues to attract, challenge and provoke audiences. Focusing on filmmakers Béla Tarr, Tsai Ming-liang and Nuri Bilge Ceylan, this book identifies nostalgia, absurd humour and boredom as intrinsic dimensions of slow cinema and explores the ways in which these directors negotiate local filmmaking conventions with the demands of a global cinephile niche. As the first study to treat slow cinema both as an aesthetic style and as an institutional discourse, Poetics of Slow Cinema offers an illuminating perspective on the tradition’s historical genealogy and envisions it with a Janus-faced disposition in the age of digital technologies—lamenting at once the passing of difficult, ambiguous modernist film and capitalizing on the yearning for its absence.
Damnation
No technique of cinema is as royal and as risky as the Long Take-audacious in its promise of unified time and space, terrifying in what that might imply. Inspired by the films of Hungarian auteur Bela Tarr, famous for his long take, and the novels and screenplays of Tarr's great collaborator La¡szla Krasznahorkai, Janice Lee's Damnation is both an ekphrasis and confession, an obsessive response, a poetic meditation and mirror on time; time that ruthlessly pulls forward with our endurance; time unleashed from chronology and prediction; time which resides in a dank, drunk, sordid hiss of relentless static. As declared in Tarr's film Damnation, "All stories are about disintegration."
