You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
None
The sculptures of Conrad Shawcross RA explore subjects that lie on the borders of geometry and philosophy, physics and metaphysics. For the 2015 Summer Exhibition's Annenberg Courtyard installation, Shawcross created a large-scale, immersive work consisting of five cloud-like forms in steel. Made from thousands of tetrahedrons, these forms stand at over six metres high and weigh five tonnes each. Shawcross explains: "The Greeks considered the tetrahedron to represent the very essence of matter. In this huge work I have taken this form as my 'brick', growing these chaotic, diverging forms that will float above the heads of visitors." As well as photography of the works in situ, this publication contains working drawings, structural diagrams and a text by the architecture writer Patrick Sykes. AUTHOR: Patrick Sykes is an architecture writer and radio producer whose work is featured or forthcoming in The Times, Mas Context, Warscapes, Polis and on BBC Radio 4. SELLING POINTS: * Includes structural diagrams showing the construction of this dramatic work * Features an exclusive interview with the artist himself * Conrad Shawcross is the youngest living Royal Academician 80 colour
None
Comprised of a photocopy of p. 181-184, 187-189, 195, and 201-204 of Steven Earl Coulter's Our Coulter clan & allied families, with added holograph annotations, criticism and corrigenda.
This is the fourth of the eight volumes of a widely acclaimed edition comprising all the surviving letters of Joseph Conrad. It covers the period during which he wrote Under Western Eyes, and the mental and physical breakdown that followed the novel's completion. The tale of these years emerges vividly from the correspondence. Of special interest are frank critiques of John Galsworthy's work, an indignant falling out with Ford Madox Ford, revealing accounts of his writing in progress, and reactions to the tumultuous politics of the day.