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Agnes MartinÕs (1912Ð2004) celebrated grid paintings are widely acknowledged as a touchstone of postwar American art and have influenced many contemporary artists. MartinÕs formative years, however, have been largely overlooked. In this revelatory study of MartinÕs early artistic production, Christina Bryan Rosenberger demonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art. Beginning with MartinÕs initiation into artistic language at the University of New Mexico and concluding with the reception of her grid paintings in New York in the early 1960s, Rosenberger offers vivid descriptions of the...
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This new critical edition contains all 160 extant letters in both English and French, transcribed from the most reliable sources and carefully annotated by a scholar of increasing reputation. Also included are - biographical information about Agnes herself; historical and critical prefaces; detailed notes for each letter; linking text between letters; analytical tables of the correspondence; an extensive bibliography and an index.
This book depicts the life of Conrad Veidt (1893-1943), the defining German actor of Expressionist cinema in the 1920s. His legendary performance in Das Cabinet des Dr. Caligari (1919/20) earned him the epithet "Demon of the Screen" and made Veidt an international star. To this day, Veidt is considered an icon of early horror film. He showed his acting range in more than a hundred films, among them masterpieces such as The Indian Tomb (1921), Orlac's Hands (1924), The Man Who Laughs (1928), The Thief of Bagdad (1940), and Casablanca (1942). Conrad Veidt used his acting career to become socially and politically involved, starting with the film Anders als die Anderen, the first film to advocate homosexual rights, in 1919. After the Nazis came to power, he left Germany to protest anti-Semitism and Nazi rule. Along with his biography, this book provides insights into the development of filmmaking from its beginnings through the 1940s, an epoch of cinematic art marked by technical innovations like sound and color film and by world-shaking events, including two world wars.
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