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Medieval Art
To honor the late renowned art historian C.R. Dodwell, a collection of papers by leading scholars are combined to provide an illuminating perspective on a richly varied selection of topics, not the least of which recognizes Dodwell's significant achievement in restoring Lambeth Palace Library during the 1950s. 8 color and 101 bandw illustrations.
The Pictorial Arts of the West, 800-1200
Between the ninth and thirteenth centuries the Western world witnessed a glorious flowering of the pictorial arts. In this lavishly illustrated book, C.R. Dodwell provides a comprehensive guide to all forms of this art--from wall and panel paintings to stained glass windows, mosaics, and embroidery--and sets them against the historical and theological influences of the age. Dodwell describes the rise and development of some of the great styles of the Middle Ages: Carolingian art, which ranged from the splendid illuminations appropriate to an emperor's court to drawings of great delicacy; Anglo-Saxon art, which had a rare vitality and finesse; Ottonian art with its political and spiritual mes...
Anglo-Saxon Gestures and the Roman Stage
This 1999 book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. Reginald Dodwell was an eminent art historian and former Director of the Whitworth Art Gallery in Manchester. In this, his last book, he notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence. He presents evidence for dating the archetype of the Terence manuscripts to the mid-third century, and argues persuasively that their gestures reflect actual stage conventions. He identifies a repertory of eighteen Terentian gestures whose meaning can be ascertained from the dramatic contexts in which they occur, and conducts a detailed examination of the use of the gestures in Anglo-Saxon manuscripts. The book, which is extensively illustrated, illuminates our understanding of the vigour of late Anglo-Saxon art and its ability to absorb and transpose continental influence.
The Monastic Order in England
This book was originally published in 1940 and was quickly recognised as a scholarly classic and masterpiece of historical literature. It covers the period from about 940, when St Dunstan inaugurated the monastic reform by becoming abbot of Glastonbury, to the early thirteenth century.
