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"In Cracked Media, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media.".
Sound is an integral part of contemporary art. Once understood to be a marginal practice, increasingly we encounter sound in art exhibitions through an array of sound making works in various art forms, at times played to very high audio levels. However, works of art are far from the only thing one might hear: music performances, floor talks, exhibition openings and the noisy background sounds that emanate from the gallery café fill contemporary exhibition environments. Far from being hallowed spaces of quiet reflection, what this means is that galleries have swiftly become very noisy places. As such, a straightforward consideration of artworks alone can then no longer account for our experi...
"Colten Moore explains how--in the wake of the devastating freestyle snowmobile accident that killed his older brother, Caleb, at Aspen's Winter X Games--he managed to return to win gold"--
Department of Justice operative Miranda Tyler has her hands full. The maternally-challenged beauty has been drafted to hide the daughter of a witness in a high-profile, murder case. The assignment means returning to her Georgia hometown and seeking help from the high school heartthrob who betrayed her years before--. Tall, dark and sexy, Caleb Blackfox had always had his way with women. That was until Miranda walked in on him playing doctor with the homecoming queen and dumped him. Now, ten years later, Miranda walks back into his life and asks for his help. This time, determined to win back the girl who got away, Caleb is willing to do whatever it takes to make her stay
"Stunning . . . . This is an immensely courageous story that will break your heart, leave you in tears, and, finally, offer hope and redemption. Brava, Kelly Sundberg." —Rene Denfeld, author of The Child Finder In this brave and beautiful memoir, written with the raw honesty and devastating openness of The Glass Castle and The Liar’s Club, a woman chronicles how her marriage devolved from a love story into a shocking tale of abuse—examining the tenderness and violence entwined in the relationship, why she endured years of physical and emotional pain, and how she eventually broke free. "You made me hit you in the face," he said mournfully. "Now everyone is going to know." "I know," I sa...
Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? »Postcolonial Repercussions« explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listened to resonances from the Underground and the Pacific Ocean, from Popular Music and speech recognition. The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening.
My sisters have been in a magical slumber for centuries, my mother, the last great battle queen is dead, leaving me to face the world alone. I’m the last of my kind. A queen, not entirely shifter and not entirely witch but a perfect blend of both. I’ve been living in hiding for over four hundred years, avoiding ties with the supernatural community, specifically the Council and the Alpha of all alphas, like the plague. That is, until I find myself challenging for alpha of the New England pack in front of both the shifter and witch communities. Now, I’m the leader of both. Fuck, I’m the leader of both. I’ve put myself square in the Council’s sight, my time in hiding forcibly over. ...
Includes cases argued and determined in the District Courts of the United States and, Mar./May 1880-Oct./Nov. 1912, the Circuit Courts of the United States; Sept./Dec. 1891-Sept./Nov. 1924, the Circuit Courts of Appeals of the United States; Aug./Oct. 1911-Jan./Feb. 1914, the Commerce Court of the United States; Sept./Oct. 1919-Sept./Nov. 1924, the Court of Appeals of the District of Columbia.