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Even as worship wars in the church and music controversies in society at large continue to rage, many people do not realize that conflict over music goes back to the earliest Christians as they sought to live out the "new song" of their faith. In A New Song for an Old World Calvin Stapert challenges contemporary Christians to learn from the wisdom of the early church in the area of music. Stapert draws parallels between the pagan cultures of the early Christian era and our own multicultural realities, enabling readers to comprehend the musical ideas of early Christian thinkers, from Clement and Tertullian to John Chrysostom and Augustine. Stapert's expert treatment of the attitudes of the early church toward psalms and hymns on the one hand, and pagan music on the other, is ideal for scholars of early Christianity, church musicians, and all Christians seeking an ancient yet relevant perspective on music in their worship and lives today.
Handel's oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt and also misunderstanding. This book by music expert Calvin Stapert will greatly increase understanding and appreciation of Handel's majestic Messiah, whether readers are old friends of this remarkable work or have only just discovered its magnificence. Stapert provides fascinating historical background, tracing not only Messiah's unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel's music beautifully interprets and illuminates the biblical text.
My Only Comfort uniquely reconnects modern listeners with Bach's music, enabling them to listen to Bach with renewed understanding and appreciation."--BOOK JACKET.
Handel s oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt and also misunderstanding. This book by music expert Calvin Stapert will greatly increase understanding and appreciation of Handel s majestic Messiah, whether readers are old friends of this remarkable work or have only just discovered its magnificence. Stapert provides fascinating historical background, tracing not only Messiah s unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel s music beautifully interprets and illuminates the biblical text. For anyone seeking to appreciate Handel s Messiah more, this informed yet accessible guide is the book to have and read. (Handel s Messiah: Comfort for God s People is the newest volume in the flourishing Calvin Institute of Christian Worship Liturgical Studies Series, edited by John D. Witvliet.)
This book samples the rich variety of worship practices in American history to show how worship can be a fruitful subject for historians to study and how past cases can enrich our understanding of worship today. By the Vision of Another World gathers highly regarded historians who usually are not read together because of the widely different subjects on which they typically work. Yet their essays all fit together here as they address how worship, work, and worldview converge and reinforce each other no matter what particular place, era, denomination, or ethnic/racial group is under consideration. The variety of methodologies and voices will appeal to a breadth of critical interests, while the consistently high quality of historical narrative will keep readers engaged.
Few modern figures in the Reformed tradition are as widely influential as Abraham Kuyper, whose views on theology, politics, and Christian culture are renowned. His writings on worship, however, are not as well known. This new English translation of Onze Eredienst fills that gap, offering Kuyper s clearest thinking on worship and liturgy. Though written nearly a hundred years ago, his perspectives on worship are amazingly relevant to our time. / In a substantive introduction Harry Boonstra outlines Kuyper's life and the historical context in which he wrote. Adding even more luster to the volume are concluding essays by John Bolt, Bryan Spinks, Geoffrey Wainwright, and Nicholas Wolterstorff.
We Have Seen His Glory sounds a clarion call to worship in light of the coming Kingdom. Ben Witherington here contends that Christian worship cannot be a matter of merely continuing ancient practices; instead, we must be preparing for worship in the Kingdom of God when it comes on earth. The eight chapters in this thought-provoking book each end with questions for reflection and discussion -- ideal fare for church study groups. "In this study I hope to tease some minds into active thought about what worship should look like if we really believe that God's Kingdom is coming. . . . It's time for us to explore a more biblical and Kingdom-oriented vision of worship." -- from the prelude
Today s pastors often expected to be multitasking marvels who can make their churches "successful" are understandably confused about their role. Craig Barnes contends that the true calling of a pastor is to assist others in becoming fully alive in Christ to be a "minor poet." The pastor absorbs the wisdom of major poets the biblical poets as well as the church s theological poets and distills its essence for parishioners. / The Pastor as Minor Poet calls pastors to continually search for a deeper, truer understanding of what they see both in the text of Scripture and in the text of their parishioners' lives. Discerning the subtexts beneath these texts reveals the core truths that allow pastors to preach the heart of the Word and to understand the hearts of the people to whom they minister. Written with a seasoned pastor s depth of understanding and a poet's sensibility and sensitivity, this book will minister to and inspire pastors everywhere.
Torgerson begins by discussing God's transcendence and immanence and showing how church architecture has traditionally interpreted these key concepts. He then traces the theological roots of immanence's priority from liberal theology and liturgical innovation to modern architecture. Next, Torgerson illustrates this new architecture of immanence through particular practitioners, focusing especially on the work of theologically savvy architect Edward Anders Sövik. Finally, he addresses the future of church architecture as congregations are buffeted by the twin forces of liturgical change and postmodernism.
"A respected scholar of theology and culture, William Dyrness here explores Christian worship in terms of its past, present, and future. He shows where the church has been, theologically and historically speaking, and how that shapes - and needs to shape -where the church will go. Through accessible language, clear examples, and thoughtful questions for reflection and discussion, Dyrness makes an essential conversation about worship available to a wide audience of pastors, worship leaders, and church members." --Book Jacket.