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A New Song for an Old World
Even as worship wars in the church and music controversies in society at large continue to rage, many people do not realize that conflict over music goes back to the earliest Christians as they sought to live out the "new song" of their faith. In A New Song for an Old World Calvin Stapert challenges contemporary Christians to learn from the wisdom of the early church in the area of music. Stapert draws parallels between the pagan cultures of the early Christian era and our own multicultural realities, enabling readers to comprehend the musical ideas of early Christian thinkers, from Clement and Tertullian to John Chrysostom and Augustine. Stapert's expert treatment of the attitudes of the early church toward psalms and hymns on the one hand, and pagan music on the other, is ideal for scholars of early Christianity, church musicians, and all Christians seeking an ancient yet relevant perspective on music in their worship and lives today.
My Only Comfort
My Only Comfort uniquely reconnects modern listeners with Bach's music, enabling them to listen to Bach with renewed understanding and appreciation."--BOOK JACKET.
Handel's Messiah
Handel s oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt and also misunderstanding. This book by music expert Calvin Stapert will greatly increase understanding and appreciation of Handel s majestic Messiah, whether readers are old friends of this remarkable work or have only just discovered its magnificence. Stapert provides fascinating historical background, tracing not only Messiah s unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel s music beautifully interprets and illuminates the biblical text. For anyone seeking to appreciate Handel s Messiah more, this informed yet accessible guide is the book to have and read. (Handel s Messiah: Comfort for God s People is the newest volume in the flourishing Calvin Institute of Christian Worship Liturgical Studies Series, edited by John D. Witvliet.)
We Have Seen His Glory
We Have Seen His Glory asks and answers the question of what worship would and should look like in light of the eschatological future, of kingdom come. Ben Witherington here contends that it cannot be a matter of merely continuing ancient practices. Instead, it must also be a matter of preparation for worship in the Kingdom of God when it comes on earth. / I am convinced that one of the great problems to having a more reflective and more Christian approach to worship is that even many of our ministers and worship leaders have very little understanding of what the New Testament actually says about worship, what it is meant to be, what it entails, and what we ought to do. In this study I hope to remedy some of that problem and tease some minds into active thought about what worship should look like if we really believe that God s Kingdom is coming. . . . It is time for us to explore a more Biblical and Kingdom-oriented vision of worship. / Ben Witherington, from the prelude
Playing Before the Lord
Franz Joseph Haydn (1732 1809) has been called the father of the symphony and the string quartet. A friend of Mozart and a teacher of Beethoven, "Papa" Haydn composed an amazing variety of music -- symphonies, string quartets, concerti, masses, operas, oratorios, keyboard works -- and his prolific output celebrates both the heights and depths of life. In this fascinating book Calvin Stapert combines his skills as a biographer and a musicologist to recount Haydn's steady rise from humble origins to true musical greatness. Unlike other biographers, Stapert argues that Haydn's work was a product of his devout Catholic faith, even though he worked mainly as a court musician and the bulk of his output was in popular genres. In addition to telling Haydn's life story, Stapert includes accessible listening guides to The Creation and portions of other well-known works to help Haydn listeners more fully appreciate the brilliance behind his music.
Handel's Messiah
Handel s oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt and also misunderstanding. This book by music expert Calvin Stapert will greatly increase understanding and appreciation of Handel s majestic Messiah, whether readers are old friends of this remarkable work or have only just discovered its magnificence. Stapert provides fascinating historical background, tracing not only Messiah s unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel s music beautifully interprets and illuminates the biblical text. For anyone seeking to appreciate Handel s Messiah more, this informed yet accessible guide is the book to have and read. (Handel s Messiah: Comfort for God s People is the newest volume in the flourishing Calvin Institute of Christian Worship Liturgical Studies Series, edited by John D. Witvliet.)
Tasting Heaven on Earth
The Church at Worship is a new series of documentary case studies of specific worshiping communities from around the world and throughout Christian history. In this second volume, Tasting Heaven on Earth, Walter Ray provides vivid descriptions of Constantinople, its history, its people, and its worship practices, which set the stage for a rich selection of primary documents that present readers with a vibrant snapshot of Byzantine Christianity in the sixth century. Some of the primary materials included here: Photos of mosaics, liturgical vessels, icons, and manuscripts Drawings, diagrams, descriptions, and photographs of Hagia Sophia Firsthand accounts of worship by Maximus the Confessor, Eutychius, and Procopius Liturgical prayers and a reconstruction of the Divine Liturgy of St. Basil
Christian Music
'Impressive in its scope... will provide instruction and delight to a wide range of readers.' Calvin Stapert, Professor of Music, Calvin College, Grand Rapids, Michigan Tim Dowley traces the story of Christian music from its earliest Jewish origins, through the Renaissance, Reformation and up to the present day, discussing various liturgical traditions as well as non-liturgical sacred music. He also covers the fascinating story of hymns and sacred songs, and Christian expressions in modern jazz, folk, rock and pop. This comprehensive book ranges widely, with specialist chapters on Christian music worldwide, and covers such varied topics as Christmas carols, the music of Handel and Bach, spirituals and the blues, medieval polyphony, Hildegard of Bingen and contemporary Christian music. 'A beautiful book with many fascinating insights.' Sir David Willcocks CBE, MC 'For anyone with an interest in Christian culture . . . not only music enthusiasts.' The Tablet 'Demonstrates just how rich, wide and varied has been the music and song of Christians of all kinds over the centuries.' Irish Catholic
The Oxford Handbook of Christology
The Oxford Handbook of Christology brings together 40 authoritative essays considering the theological study of the nature and role of Jesus Christ. This collection offers dynamic perspectives within the study of Christology and provides rigorous discussion of inter-confessional theology, which would not have been possible even 60 years ago. The first of the seven parts considers Jesus Christ in the Bible. Rather than focusing solely on the New Testament, this section begins with discussion of the modes of God's self-communication to us and suggests that Christ's most original incarnation is in the language of the Hebrew Bible. The second section considers Patristics Christology. These essay...
God's Mind in That Music
As part of the growing literature on theology and the arts, God's Mind in that Music explores the substantial theological insight expressed in the music of jazz legend John Coltrane. Focusing on eight of Coltrane's pieces, themes under consideration include lament ("Alabama"), improvisation ("My Favorite Things" and "Ascension"), grace ("A Love Supreme"), and the Trinity ("The Father and the Son and the Holy Ghost"). By attending to the traditions of theology and of jazz criticism, and through a series of interviews with musicians, theologians, and jazz writers, Jamie Howison draws the worlds of theology and jazz into an active and vibrant conversation with each other. Built around a focused listening to John Coltrane's music as heard against the background of his life and social context, and interacting with the work of a range of writers including James Baldwin, Dorothee Soelle, Jeremy Begbie, and James Cone, God's Mind in that Music will be of interest not only to those interested in the intersection of music and theology, but also to Coltrane fans, students of jazz studies, and anyone who believes that music matters.
