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Famous across Europe and America, recipient of the highest possible honours in Germany including the order of the Black Eagle and elevation to nobility, admired by Degas as 'the greatest living master', Adolph Menzel was perhaps the greatest German painter of the late nineteenth century. In this splendidly illustrated book - the only comprehensive volume on Menzel in English - photographs of the artist and contemporary Berlin accompany reproductions of hundreds of his paintings and drawings. Menzel specialists and art historians contribute chapters on his life and art, his visits to France, his critical reception, relevant social and historical background, and different approaches to his wor...
One of 19th-century Berlin's premier artists, Adolph Menzel exhibited tremendous powers of observation, technical perfection, and an interest in a wide range of subjects. This volume contains approximately 115 plates of his work, with 16 pages of color. Dinotopia author James Gurney has selected the images, many of which have rarely been seen outside Germany, and provided an in-depth Introduction.
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Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
These are the kinds of question Rose-Marie and Rainer Hagen ask when faced with world-famous masterpieces. In the language of today they comment on the fashions and attitudes, trends and intrigues, love, vice and lifestyles of past times. Book jacket.
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The second of three volumes from Mark Hewitson which explore the experiences of conflict in modern Germany, and the resounding impact of these across Europe and the world, The People's War takes a new look at the 'wars of unification' and charts the rise of nationalism and the breakdown of the existing state system in the 1850s and 1860s.
Catalog of an exhibition held at the National Gallery of Art, Washington, D.C., May 16-Nov. 28, 2010.
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati