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Extinction and Memorial Culture
This book considers how we encounter and make meaning from extinction in diverse settings and cultures. It brings together an international and interdisciplinary range of scholars to consider how extinction is memorialised in museums and cultural institutions, through monuments, in literature and art, through public acts of ritual and protest, and in everyday practices. In an era in which species are becoming extinct at an unprecedented rate, we must find new ways to engage critically, creatively, and courageously with species loss. Extinction and Memorial Culture: Reckoning with Species Loss in the Anthropocene develops the conceptual tools to think in complex ways about extinctions and their aftermath, along with providing new insights into commemorating and mourning more-than-human lives. This book will be of great interest to students and scholars of the environmental humanities, extinction studies, memorial culture, and the Anthropocene.
The Memory Palace
Incredible true stories reveal strange new magic in American history in this wondrous first book from the creator of the award-winning podcast The Memory Palace. “One doesn’t often find the words imagination and history in the same sentence. Nate DiMeo has forever woven them together. The Memory Palace wants you to linger, to stay awhile, and find a deeper meaning both in the stories of the past and perhaps in your own life as well.”—Ken Burns The Memory Palace is a collection of crystalline historical tales that read like luminous short fiction and, like Nate DiMeo’s acclaimed podcast of the same name, conjure lost moments and forgotten figures who are calling out across time to b...
The Arts and Humanities on Environmental and Climate Change
The Arts and Humanities on Environmental and Climate Change examines how cultural institutions and their collections can support a goal shared with the scientific community: creating a climate-literate public that engages with environmental issues and climate change in an informed way. When researchers, curators, and educators use the arts and humanities to frame discussions about environmental and climate change, they can engage a far wider public in learning, conversation, and action than science can alone. Demonstrating that archival and object-based resources can act as vital evidence for change, Sutton shows how the historical record, paired with contemporary reality, can create more pe...
Senate Journal
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Greater American Camera
An engaging investigation of how the relationships between four U.S. photographers and Mexican artists forged new developments in modernism Photographers Edward Weston, Tina Modotti, Paul Strand, and Helen Levitt were among the U.S. artists who traveled to Mexico during the interwar period seeking a community more receptive to the radical premises of modern art. Looking closely at the work produced by these four artists in Mexico, this book examines the vital role of exchanges between the expatriates and their Mexican contemporaries in forging a new photographic style. Monica Bravo offers fresh insights concerning Weston’s friendship with Diego Rivera; Modotti’s images of labor, which she published alongside the writings of the Stridentists; Strand’s engagement with folk themes and the work of composer Carlos Chávez; and the influence of Manuel Álvarez Bravo on Levitt’s contributions to a New World surrealism. Exploring how these dialogues resulted in a distinct kind of modernism characterized by inter-American interests, the book reveals the ways in which cross-border collaboration shaped a new “greater American” aesthetic.
The Art Institute of Chicago Field Guide to Photography and Media
A roster of prominent artists, curators, and scholars offers a new, entirely contemporary approach to our understanding of photography and media Focusing on the Art Institute of Chicago's deep and varied collection of photographs, books and other printed matter, installation art, photobooks, albums, and time-based media, this ambitious, wide-ranging volume features short essays by prominent artists, curators, university professors, and independent scholars that explore topics essential to understanding photography and media today. The essays, organized around themes ranging from the expected to the esoteric, are paired with key objects from the collection in order to address issues of aesthe...
Evolving Photography: Naturalism, Art, and Experience, 1889-1909
In the final decades of the nineteenth century, Darwin's theory of evolution reverberated across nearly every part of culture, giving rise to new movements in philosophy, psychology, the social sciences, literature, and the visual arts, which collectively took up "naturalism" as their rallying cry. Rather than embodying a single idea, however, naturalism formed a contested terrain, wherein a mixture of old and new ideas about nature and human agency vied for cultural authority. For British and American photographers at the turn of the century, naturalism took root as a key organizing term, representing both an aesthetic ideal and a deeper set of philosophical commitments that engendered a new understanding of the medium. These photographers visualized the landscape, its human inhabitants, and wildlife subjects in ways that registered their novel beliefs about nature, and they simultaneously drew from those beliefs as they laid claim to photography as a mode of individual expression.
Spatial Orders, Social Forms
A fascinating look at modernist urban planning and spatial theories in Brazilian 20th-century art and architecture Exploring the intersections among art, architecture, and urbanism in Brazil from the 1920s through the 1960s, Adrian Anagnost shows how modernity was manifested in locally specific spatial forms linked to Brazil's colonial and imperial past. Discussing the ways artists and architects understood urban planning as a tool to reorganize the world, control human action, and remedy social problems, Anagnost offers a nuanced account of the seeming conflict between modernist aesthetics and a predominately poor and historically disenfranchised urban public, with particular attention to regionalist forms of urban development. Organized as a series of case studies of projects such as Flávio de Carvalho's performative urbanism, the construction of the Ministry of Education and Public Health building, Lina Bo and Pietro Maria Bardi's efforts to modernize Brazilian museums, and Hélio Oiticica's interstitial works, this study is full of groundbreaking insights into the ways that modernist theories of urbanism shaped the art and architecture of 20th-century Brazil.
Photography and the Arts
Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in t...
